A Quote by Elizabeth Debicki

A dancer's life is as peripatetic and unstable as that of an actor's. You're freelancing yourself all the time, and a dancer's lifespan is even shorter than an actor's: once they turn 30 or 35, they have to stop.
I consider myself an actress first, a dancer second, and a singer third. Why? Because the dancer needs a reason to move-that's the actor informing the dancer. So I worked on my acting and gradually developed a singing voice.
Before I was an actor I was a break dancer, one of those street performers you see. I guess my introduction into the professional world of performing was a stint as back up dancer for Lionel Richie and I performed at the closing ceremony at the '84 Olympics.
My background is somewhat unusual, as I trained to be a ballet dancer. I worked in the theatre for eight or nine years as a contemporary dancer. But as an actor one does read Shakespeare and does try to learn the classics.
We know that people who are born with shorter telomeres than normal also have a shorter lifespan. We know that shorter telomeres can cause a shorter lifespan.
I think as an actor, you're more like a dancer, and you have to use your body. I don't understand all these questions about nudity. It's a nonsense. He's an actor, an artist, so get on with it.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
You know Marques Houston, you know I'm a dancer, I'm a singer, but I wouldn't want to do a movie that I'm a dancer and a singer in. I want to do movies that people can take me more seriously in as an actor, because when you're making that transition, it is tough.
Sometimes I say I feel more like a dancer than an actor, because there are things implied about being an actor that I don't really like. I feel more comfortable with the word 'performer'. I like being the thing. I like being the doer. There's a factualness to it. And then certain resonances happen out of how you apply yourself physically.
I trained as a dancer when I was much younger, for a large amount of time, like 6 or 7 years. Not to be a ballet dancer, actually, but I thought it was a complement for an actor. I thought that actors should know how to move, should know how to juggle, should know how to do acrobatics.
Maybe in another life I would have liked to have been a dancer. But I was a cheeky chappy who wanted to be an actor.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
I was sort of a jack-of-all-trades in show business for a long time. I was a singer and a dancer, and then I got a job as an actor.
I was very excited and interested as a background dancer or as a theatre actor or when I was working on TV, or even on the film which didn't do well, like 'Byomkesh.'
For me, a dancer is part of an artist’s entertainment - “backup dancer” isn’t even in my vocabulary.
For me, a dancer is part of an artist's entertainment - 'backup dancer' isn't even in my vocabulary.
I am not a natural dancer, not even a half way competent dancer.
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