A Quote by Elizabeth Debicki
Kissing in films, it's just another thing you have to do. It kind of becomes as technical as how to open a door, really.
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I've been blessed to play these great parts that just open another door and another door, is I guess how it's worked.
Coming back is the thing that enables you to see how all the dots in your life are connected, how one decision leads you another, how one twist of fate, good or bad, brings you to a door that later takes you to another door, which aided by several detours--long hallways and unforeseen stairwells--eventually puts you in the place you are now.
I've never been that comfortable with the acting thing. It's difficult for me to separate what's really going on. If there's kissing, that's kissing. I'm not acting; I don't know how.
Let him treat you like a lady and open the car door for you. If he doesn't automatically open the door for you, stand by the darn thing and don't get into the vehicle until he realises he needs to get hid behind out of the driver's seat and come round and open the car door for you. That's his job!
I'd always thought of myself as an open-minded person. I had no patience with anyone who put down other kids because of their race, religion, or sexuality. But that's just one kind of open-mindedness. There's another kind, too, the kind that's willing to see people for who they really are and admit when you were wrong about them. That's the part I still need to work on.
What you can't teach someone is how to find the door. You can't give someone a door to another universe. You can tell them that the door exists, and if they're stuck in the hallway you can be like, "You're stuck in the hallway," but you can't open the door for them.
I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
For me, it's nice to have a character who can never find love and have that be the running theme, but I think when you open the door to a story line about relationships, you open the door to another realm of comedy.
It's kind of crazy how one thing can lead to another if you keep your eyes open to it.
I'm trying to think how I impressed my wife. We had an on-stage kiss, and I really went for it. Because I liked her. Usually you can get away with it being just technical, but it was a problem when I ended up kissing my wife on the set. I'd say I stopped acting and kissed her on set.
I played sports. The acting thing was just a direct blessing from the Lord, because I lost my discipline to play sports, and I had this really cool professor grab me and kind of take me under his wing, and the ball just started rolling. Another professor introduced me to my first agent, and the next thing you know, I got to start doing films.
So many doors forever. There were never enough. Each door had several locks. One lock was combination. Another required keys. Another was a simple side latch. Another was strictly ornamental. Another you could open by whispering the right thing to it at the right time, which is the type of lock most humans have.
I have kissed in almost all the films except in 'Once Upon A Time In Mumbaai.' I'm not sure if my kissing on screen has anything to do with the success of a film, but producers make sure to put a kissing scene or two. They feel my kissing scenes are my lucky streak.
A man who will not leave his room because he does not know how, or is afraid to open the door, is trapped just the same whether or not the door is locked.
As a fiction writer, that's been a preoccupation of mine: Can you really just close the door and leave the past back there behind you, or is the door going to blow open at some point?
I respect the social graces enormously. How to pass the food. Don't yell from one room to another. Don't go through a closed door without a knock. Open the doors for the ladies. All these millions of simple household behaviors make for a better life. We can't live in constant rebellion against our parents - it's just silly. I'm very well mannered. It's not an abstract thing. It's a shared language of expectations.
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