A Quote by Elizabeth Debicki
Acting is a craft to me: I just think you get better the more you do it. And then the irony to that is your doing it is not in your control. If it was up to most actors, we'd work all the time, and we'd always get better. But it's not in our control, so we have to wait to be given parts to do.
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No matter the wins and losses, you can control your attitude. You can control you coming into work each and every day with the right attitude and wanting to get better and trying to get better.
The irony of the process of thought control: the more energy you put into trying to control your ideas and what you think about, the more your ideas end up controlling you.
When you allow circumstances beyond your control to determine your attitude and actions, you risk plunging into a downward spiral of hasty decisions and faulty judgments, to overreacting, giving up too soon, and missing those opportunities that always - always - appear just when you think life will never get better.
There's so much to benefit from being able to control your mind in certain situations and it just keeps you even-keel all the time when things are going well and when they're not. That's one thing that I've always had a bit of a tough time doing. When I get up, I get excited. When I'm down, I get pretty frustrated.
The key to my perseverance was absolutely loving the craft of acting. I just figured that if I kept doing it, at the very least I would get better at acting. Even if I didn't become a tremendous success, as long as I knew I was improving and getting better, to me, that was success.
You can control your own destiny a little bit better in college. It's hard to control all the variables, especially with the salary cap and things like that, in pro football. You can't keep your team together, and you are going to have more changes all the time. Personnel decisions aren't always made by you, especially who you bring to your team.
The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.
College, our job is to get guys to get better. Work hard, get better and be in position so when your time comes you get to play in the NBA.
On every job you do, you've got to raise your game. My ambition is to just get better and better every job you do - you should never stop trying to get better. You have to teach yourself new things - I don't think you necessarily learn them from other people because you have your own style of doing things, but hopefully you get better.
Most young actors, that's all they're trying to do: Get better at acting and be able to keep doing it. And that doesn't work out for most people.
To be honest, we have no control over what's going on with a movie, much less what people are going to think of it. Your whole life is wound up in it but you don't have control and you have to get used to being on that turbulent plane without trying to fly it. The less you think about all that the better.
There are so many aspects of the game that you can work on - you can drive it father, you can drive it straighter, you can hit your irons higher and more consistently, you can get better with your wedges, and you can always putt better. There's never an end to that striving to get better in golf.
I don't thrive on control. I'm not looking for control. I think I get better results when I don't control things.
There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.
Most actors don't understand acting. I think it's an art form that craft is out the window. I don't think people get it at all, most of the time. Or they get some of it, not all of it. If you get an Academy Award nomination, you think 95 percent of the profession is unemployed at any given time, most people will never even find work as an actor, and the ones who do will probably make $50,000 a year at the most if they're lucky. Some will never do Broadway. Some will never do a major role. And a really, really, really small percentage of them maybe will be nominated for a major award.
I think I just have to control what I can control. I can control myself. I can't control anything else but what I do. I definitely know I can do a better job at that.
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