A Quote by Elizabeth Diller
In my thesis, I made an intellectual exercise out of creating a pair of buildings that were a repeat but slightly different - dissonant things make me uncomfortable.
Related Quotes
I love when things can repeat and you can make things slightly different each time and just react to the music and react to the recording.
Editions made sense when people worked with engravings where the plate wore down as prints were made. An early number of the edition had slightly better quality. But that's not the case with photography. To me, it's a false way of creating value.
I studied at a time when buildings were sterile things, and their creators were hands-off people - super-intelligent people, but you felt they didn't love the stuff buildings are made from.
A tiny detail can make you feel completely different. I feel different if I wear something that I'm slightly uncomfortable in.
I know that sounds so circular, but for you, what you were made to do, is different than what I was made to do. But instead of spending all of our time having Bible studies about what we were made to do, go do stuff and you'll figure out what you were made to do, because you'll be great at some things and you'll be terrible at others.
I'd like to do some things over again. I never want to repeat anything that went well, though - I just want to do better at slightly different things.
Oftentimes, a funny situation is funny because it's uncomfortable or weird. The most memorable stories, or the stuff that you repeat to your friends, it's not like, "Oh, I had a pleasant day, nothing happened on the bus today." It's when strange things happen, when you become uncomfortable or knocked out of your own reality, those are the things that are interesting.
I have a book of buildings from 25,000 BC. These are huts built out of mammoth bones. These buildings were beautifully made, from the bones of the body into shelter.
As the Ambassador for WWF Earth Hour, I still vividly remember that there were only 80 buildings in China that participated the Earth Hour in its first year. Six years later, there were 170 cities and thousands of buildings that participated. We are still growing strong. I am encouraged by the accomplishments we have made together and they make me proud and more determined than ever.
The Animals were a very separate and dissonant group at the time. We came from different backgrounds, different areas - we didn't even come from the same town, basically.
All the characters are made out of words. With reading, I understand that the people aren't real but the fact that they are made out of language and are made out of words is extremely powerful to me. It becomes transformative for me. Different people have different ways of trying to make stories using language.
I like being put in embarrassing positions because it's the reason why I wanted to be an actress. I want to try different things and things that make me uncomfortable.
The thesis that the living creatures have always been composed different species was established in a time where no sufficient observations had been made and when science hardly existed. This thesis is denied every day by those who have made accurate observations, who have long time observed nature and who have had the benefit from studying our musei's large and rich collections.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
You were the one who made things different, you were the one who took me in. You were the one thing I could count on, above all, you were my friend.
I'm a guy where my perfect pitch has been altered by the fact that I usually tune up to what's going on. When I was a kid, it was horrible! If two notes were playing right next to each other, and they were dissonant, it would drive me nuts. If it was something that sounded like it was in between notes, it'd make me cringe.
Related Authors
Arthur Erickson Quotes
Canadian
Architect
Frank Gehry Quotes
American
Architect
Frank Lloyd Wright Quotes
American
Architect
Ludwig Mies van der Rohe Quotes
American
Architect
Ma Yansong Quotes
Chinese
Architect
Maya Lin Quotes
American
Architect
Neri Oxman Quotes
American
Architect
Norton Juster Quotes
American
Architect
Philip Johnson Quotes
American
Architect
Rem Koolhaas Quotes
Dutch
Architect
Richard Rogers Quotes
British
Architect
Santiago Calatrava Quotes
Spanish
Architect
Tadao Ando Quotes
Japanese
Architect
Thom Mayne Quotes
American
Architect
Walter Gropius Quotes
German
Architect
Zaha Hadid Quotes
British
Architect