A Quote by Elizabeth Edwards

You never know when something's going to hit you in a particular way and just knock you loose. — © Elizabeth Edwards
You never know when something's going to hit you in a particular way and just knock you loose.
I don't know what other fighters do, but when I get hit and go down, I smile and I say, 'I'm going to hit you harder than you hit me, and I'm going to knock you out.' The times I go down and get back up - that's when I'm the most dangerous.
What keeps this industry challenging as an actor is that you never know how something will turn out. The ups and downs are constant. You're never just smoothly sailing along. You're always going to be on loose footing. That's what ultimately now I expect and accept and that doesn't scare me as much.
I never know when somebody's going to knock on the door of my own unconscious in a way that I wouldn't have anticipated.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
But it's not just "Do you want a hit?" More importantly, it has to be something we - the artist and I - like. If you go in just wanting a hit song, it's not going to happen that way. You have to first be committed to making music you like.
Over all these years, I have never had a hit movie, never had a hit television programme and never had a hit record. To my way of thinking, that means success has not been achieved. I have made no mark of my own creation. This is something to be considered.
There might have been guys with enough cajones to send over a drink. If I was hit on today maybe I just don't know it. I told my friend that I never get hit on and he's like, "You're crazy!" But as far as I know, no, I've almost never been hit on.
You never know when the timing is going to hit in a such a way that you're going to make a difference.
Playing football, I'm getting chills just thinking about it. That first knock of the game, you are going on kickoff, and you are just trying to smack somebody just as hard as you can. That's how I play baseball. I want to hit you.
I know that some filmmakers strive for a kind of naturalistic approach, but you're never going to capture something that's really natural - just the simple fact that you choose to put a frame around something means that you've already chosen one particular thing to put more attention on.
I know that I'm going out there, and I know that I am going to get hit in the head. I know that's part of football. That's like a firefighter knowing he is going to go into a fire at some point. You know you are going to be put in danger's way, and you accept that risk, and you do it.
If you hit somebody hard enough, they will give up. You can feel their body go limp and they'll just surrender. So every time I hit somebody, the goal is to knock myself out. I know that if I hit somebody hard enough that I can feel it, it's hurting them 10 times worse.
I never know what my next thing is going to be, and I'm not out there specifically searching for one thing in particular. I'm just looking for something that's new and different. It could be a drama or a comedy, I just want to challenge myself and work with people that inspire me.
But you haven't never loved God nor even nair person. You hard and tough as cowhide. But just the same I knows you. This afternoon you going to roam all over the place without never being satisfied. You going to traipse all around like you haves to find something lost. You going to work yourself up with excitement. Your heart going to beat hard enough to kill you because you don't love and don't have peace. And then some day you going to bust loose and be ruined.
The best way to take a punch is to look at it. Honestly. Someone could hit you with the hardest punch that they have, but as long as you see it, it's not going to knock you out. It's the punches that you don't see that knock you out. So you could get tapped with a small punch, but if you don't see it, you're out.
You work hard and you pray, and you do something where you know the energy around the project is right, but you never really know if it's going to hit and resonate with audiences.
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