A Quote by Elizabeth Edwards

My father had gone to Vietnam. — © Elizabeth Edwards
My father had gone to Vietnam.
Having gone through the civil rights struggle, having gone through the anti-Vietnam War struggle, by the time I was in my 20s, I had something that the current generation doesnt have. And that is a sense of efficacy.
Big train from Memphis, now it's gone gone gone, gone gone gone. Like no one before, he let out a roar, and I just had to tag along.
My father was a builder. During my high school years, I worked for him. One summer, I was working with a guy who had just come back from Vietnam and had been a tunnel rat. He wouldn't talk about the experience, but it sounded really scary to me.
My father left us when I was 10, so I had to make enough money for us to be able to live in a house because my brother went in the service during Vietnam and I was sole support of my mother. And she had no skills, really, except to clean other people's houses. So I had to have a bunch of jobs, you know, as well as music.
My father lived with me the last five years of his life and passed away of Alzheimer's, and at that point he was saying to anyone who would listen, "We all hated the war in Vietnam." Well, it was easy to hate the war in Vietnam 40 years on.
I'm a Vietnam veteran. I was here when there was no public support, not just for the effort in Vietnam, for the mission in Vietnam, but for our men and women in uniform.
Vietnam was a terrible mistake for the United States. But like Iraq, Vietnam was a badly chosen battlefield in a larger conflict with totalitarianism that America had no choice but to pursue.
I knew if I had gone to school - if I had gone to Juilliard and danced for four years - I would have spent every day wondering what would have happened if I had gone to Los Angeles instead.
We didn't know that Mother had gone through a passionate love affair or that Father suffered from severe depression. Mother was preparing to break out of her marriage, Father threatening to take his own life.
The leading, the most respected Vietnam historian, military historian Bernard Fall -he was a hawk incidentally, but he cared for the Vietnamese - he said it wasn't clear to him whether Vietnam could survive as a historical and cultural entity under the most massive attack that any region that size had ever suffered. He was talking about South Vietnam, incidentally.
The [Vietnam] war's gone on for three years. And we'd thought we'd ended it because we'd done exactly what we were told and what we told ourselves we'd had to do. We had a majority. We were against the war and this created a crisis for democracy and a crisis for the antiwar movement.
Vietnam was the first time that Americans of different races had to depend on each other. In the Second World War, they were segregated; it was in Vietnam that American integration happened in the military - and it wasn't easy.
Coming out of the '60s and the Vietnam War in America, it was commonplace for people to make films that had relevance to them. And since the '70s, cinema has gone almost entirely in the direction of spectacle and escapism and superhero films.
The first 'Bad Company' was a kind of reaction to the Vietnam war - or at least a reaction to how Vietnam had entered the cultural life through films and books.
Working-class, blue-collar guys who volunteered for Vietnam were ascribed certain political beliefs. It's time that this was redressed. It had nothing to do with politics. Once these men got to Vietnam, it was a matter of survival.
As a young boy, I had gone to a Bayern match with my father. I had never seen such a big stadium before, and it was overwhelming. Everything was so big, so loud.
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