A Quote by Elizabeth Flock

Videos of Antifa violence, some of them doctored, are regularly shared on conservative, pro-Trump and conspiracy theory-pushing websites, often with commentary that suggests the media purposefully ignores those events. These videos often do not often include wider context or numbers.
Unfortunately, often found next to things that are true are an enormous number of things that are not - in websites, videos, books and on social media.
Use photos and videos often. The best startups post lots of imagery and videos. The worst ones? Text only.
My friends and I often film videos when we get together and hang out, and they're usually just silly situational videos just for our own amusement.
Many of our partners are here and this is where the world's expertise on environment and the wider sustainability agenda often and regularly gathers. Here is where international initiatives frequently start and are nurtured. Geneva is one of the hubs where global programs can be often most effectively managed.
What I realized with Funny or Die is that I could take it into my own hands. On a much smaller scale, I think these videos are an accurate representation of who I am. As weird as they may be, I'm at least proud of them, and it showed that I do have a slightly different voice. I can't tell you how often people bring up these videos in interviews, and I'm so happy to talk about them because we created them from the ground up.
Late night chaining of videos and basically obsessing are rare for me, and often I've never even seen the videos of my favourite songs. That said, in terms of my own personal magic, video has probably rated lower than most music fans.
It is impossible to effectively monitor the huge volume of videos that are out there. It is often difficult to find out who owns the copyright on individual videos. Differing copyright laws in different countries also make the whole process harder.
I started directing videos at the same time that Michel Gondry was starting to direct videos, and I watched what he'd do. They all seemed to be pushing some new visual effects idea, but never just for spectacle. They all captured a feeling.
Through American history, we have had populist movements that often, often, often have this ugly racial element. But, often, there are warning signs of some deeper social and economic problem.
My heroes and heroines are often unlikely people who are dragged into situations without meaning to become involved, or people with a past that has never quite left them. They are often isolated, introspective people, often confrontational or anarchic in some way, often damaged or secretly unhappy or incomplete.
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
Stories bring us together. We can talk about them and bond over them. They are shared knowledge, shared legend, and shared history; often, they shape our shared future.
I have a tendency to often share the point of view of the conspiracy theory.
Safety' is a bogus argument regularly used by university officials to keep conservative speakers off of campuses. This isn't because conservatives are dangerous, but because the left often reverts to violence instead of words when presented with ideas it disagrees with.
Some people draw a line between music videos and short films, looking down on music videos as a format, but there's so much potential in music videos.
I love hip-hop videos. It was not meant as disrespect. I used to watch those videos and think, "Are these guys kidding? They've got to be kidding!" But they're not and that in itself is what makes them good.
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