A Quote by Elizabeth Flock

Disco told audiences to dance, while punk told them to be anything but passive. The artists didn't mind; in fact, they encouraged it. — © Elizabeth Flock
Disco told audiences to dance, while punk told them to be anything but passive. The artists didn't mind; in fact, they encouraged it.
As a late teenager, the punk movement pushed me further. In particular, the Clash, which happened to leak through the time of disco, showed me that there was this cross-cultural sound that could cut across genres and audiences. Like punk was to disco, rap music was a rebellion against R&B, which had adopted disco and made it worse.
Most artists I know had one person in their life who told them they were the second coming of the baby Jesus, and another person that told them they weren't worth anything, and they believed them both, you know?
As I've told my three daughters, all of whom I've at one time encouraged to go into macro trading, any man or woman can do anything to which they set their heart and mind.
One day he said, "I'll tell this town How it feels to be an unfunny clown." And he told them all why he looked so sad, And he told them all why he felt so bad. He told of Pain and Rain and Cold, He told of Darkness in his soul, And after he finished his tale of woe, Did everyone cry? Oh no, no, no, They laughed until they shook the trees... And while the world laughed outside. Cloony the Clown sat down and cried.
The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.
In the silence, in the darkness, swept away by these alien alkaloids and the plant-mind behind them, you find out a truth that can barely be told. And most of it can't be told.
I think one of the problems [with raising intelligent children] is compulsory schooling...and that children are sitting there and they are taught and told what to believe. They are passive from the very beginning, and one must be very, very aggressive intellectually to have a high IQ [...] the child is taught. Right from the beginning, it's a passive process. He or she sits there, and they simply try to believe everything they're told.
Laughter takes the tyranny of the lies we are told and told and told and it blows them apart.
I told my mother this and I told my family this. I told them I was going to be the guy who had success. I just want to stick to what I say.
I don't know how I could have been more explicit. I gave them a roadmap and a flashlight, but they didn't go where I told them to go, they didn't look where I told them to look, they didn't tell the people I told them to call.
There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
Some artists are told what to like and told definitions of what the music business is. That's a problem. Music is artistry, and you want your music heard, your act known. But artists don't know. They are ignorant the minute they sign a contract.
The amount of times I've been told something by artists I'm working with, which I'm sure they haven't told even their significant other or families, is shocking.
William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told cosmic stories, Dickens told melodramatic ones, Plutarch told histories and Hans Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well that they have become immortal. In all the world of storytelling he has become the greatest name.
...that was the way human beings are; they love to be told what to do, but they love even more to fight and not do what they are told, and thus they get entangled in hating the one who told them in the first place.
Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.
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