A Quote by Elizabeth Garrett Anderson

My mother speaks of my step being a source of life-long pain to her, that it is a living death, etc. By the same post I had several letters from anxious relatives, telling me that it was my duty to come home and thus ease my mother's anxiety.
[My mother] speaks of my step being a source of life-long pain to her, that it is a living death, etc. By the same post I had several letters from anxious relatives, telling me that it was my duty to come home and thus ease my mother's anxiety.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
Tereza's mother never stopped reminding her that being a mother meant sacrificing everything. Her words had the ring of truth, backed as they were by the experience of a woman who had lost everything because of her child. Tereza would listen and believe that being a mother was the highest value in life and that being a mother was a great sacrifice. If a mother was Sacrifice personified, then a daughter was Guilt, with no possibility of redress.
I know also another man who married a widow with several children; and when one of the girls had grown into her teens he insisted on marrying her also, having first by some means won her affections. The mother, however, was much opposed to this marriage, and finally gave up her husband entirely to her daughter; and to this very day the daughter bears children to her stepfather, living as wife in the same house with her mother!
The mother as a social servant instead of a home servant will not lack in true mother duty. From her work, loved and honored though it is, she will return to her home life, the child life, with an eager, ceaseless pleasure, cleansed of all the fret and fraction and weariness that so mar it now.
Long after her death I felt her thoughts floating through mine. Long before we met we had had the same dreams. We compared notes. We found strange affinities. The same June of the same year (1919) a stray canary had fluttered into her house and mine, in two widely separated countries. Oh, Lolita, had you love me thus!
Rational anxiety is when you're aware of the source of your anxiety. Like, if I have to host an award show or talk to millions of people on the radio, I'm going to feel anxious, and I know why. Irrational anxiety is when I'm leaving CVS, and there's a car behind me, and I'm wondering if he's following me home.
I hadn’t had a mother since I was two, and from then until seven I had believed God was someone who had run off with her and was living with her somewhere else... (God took your mother, dear, because he needed her more than you do) which had never endeared him to me
In the state I was in, if someone had come and told me I could go home quietly, that they would leave me my life whole, it would have left me cold: several hours or several years of waiting is all the same when you have lost the illusion of being eternal.
I started writing letters home to my mother, saying that I wanted to come home, grandma won't let me sing.
a mother's death also means the loss of the consistent, supportive family system that once supplied her with a secure home base, she then has to develop her self-confidence and self-esteem through alternate means. Without a mother or mother-figure to guide her, a daughter also has to piece together a female self-image of her own.
I got a telegraph from my mother who said that my step-father had had a heart attack, come home and earn a living. So I went back to England and the only thing I knew to earn any cash was through hairdressing.
Most of me was glad when my mother died. She was a handful, but not in a cute, festive way. More in a life-threatening way, that had caused me a long time ago to give up all hope of ever feeling good about having had her as a mother.
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
Once upon a time, if you wanted to talk about the notion of child abandonment, of a mother not being a good mother, that's built into the mother who sends the babes into the woods, and they use the bits of bread or stones to come home again.
And some small gnarled place inside me hated her for her weakness, for her neglect, for the months she had put us through. I had taken a step back from my mother, put up a wall to protect myself from needing her, and nothing was ever the same between us again.
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