A Quote by Elizabeth George

I wish that I had known back then that a mastery of process would lead to a product. Then I probably wouldn't have found it so frightening to write. — © Elizabeth George
I wish that I had known back then that a mastery of process would lead to a product. Then I probably wouldn't have found it so frightening to write.
That was always the dream, wasn't it? 'I wish I'd known then what I know now'? But when you got older you found out that you NOW wasn't YOU then. You then was a twerp. You then was what you had to be to start out on the rocky road of becoming you now, and one of the rocky patches on that road was being a twerp.
I do wish, when I was younger, that I knew that I was gay. It would have made things a lot clearer for me. Really. Looking back on it, it was so obvious, but it never really dawned on me. Socially, I felt like I didn't know how to be and who to be. If I had known back then, it would have given me more self-confidence.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
I wish I'd known from the beginning that I was born a strong woman. What a difference it would have made! I wish I'd known that I was born a courageous woman; I've spent so much of my life cowering. How many conversations would I not only have started but finished if I had known I possessed a warrior's heart? I wish I'd known that I'd be born to take on the world; I wouldn't have run from it for so long, but run to it with open arms.
Then I contacted Ken, then he called me back, then we had a great meeting. Then he called and asked if I would come back to the show. Which was awesome.
I have known many people who were seduced as children by same-sex partners and then spent their teen years being gay, and then found their way back to heterosexuality as adults.
If I had known I'd be on Matador back then in my childhood, it would have blown my mind.
At one point, I left Mexico to continue my career globally, and a new star came about. He is known now as Myzteziz, but back then he was known as Mistico, and then Sin Cara when he joined WWE. I would have to say the fans, in their eyes, see a lot of similarities between us.
Another thing that makes the process different is we go in there and are completely immersed in [that] world for however many weeks and then we would leave and they would be animating for however many weeks and we wouldn't have anything to do with it. Then we would come back and see all this work that they had done. So it just took a lot more time than it would on anything else.
I left my job as a feature writer on a newspaper to write a book, then sent it off to a number of agents thinking they would all reject me. Within a week, most had come back to say they loved what they had read, which then led to a bidding war for my first two novels.
I wish when I was 15 that I realized my voice was important and that even my thoughts and my opinions had value. Had I known, I probably would've spoken up more. I probably would've found my activism sooner and become a writer sooner.
If I had known there was such a thing as Islamic Calligraphy, I would never have started to paint. I have strived to reach the highest levels of artistic mastery, but I found that Islamic Calligraphy was there ages before I was.
I had forgotten: this is what it feels like to live in time. The lurching forward, the sensation of falling of a cliff into darkness, and then landing abruptly, surprised, confused, and then starting the whole process again in the next moment, doing that over and over again, falling into each instant of time and then climbing back up only to repeat the process.
My stories take three or four months to fix, and it's not magical of a process. Ultimately it's a boring, difficult process. I write everything out, and then the parts I think are funny I put in bold. Then I go perform it. Then the parts that aren't funny, I unbold them.
I'm a morning person because I learned to write my novels while still practicing law. I would get to the office at 6:30 a.m. and write until other people arrived, around 9. Now I still do that. I start at 6:30 or 7, and I'll write until 11, then take an hour off, then work until about 2 p.m. By then my brain has had enough.
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