A Quote by Elizabeth George

I knew from the age of seven that I was meant to be a writer. — © Elizabeth George
I knew from the age of seven that I was meant to be a writer.
I was a writer first, and knew I'd be a storyteller at age seven. But since my parents are very practical, they urged me to go into a profession that would be far more secure, so I went to medical school.
I was at Everton from the age seven. Being there 14 years meant any move was going to be big.
I always knew that I wanted to be a writer. I think I was six or seven when I learned how to read, and I still remember it.
Dragged out of your bed at the age of seven, my mother screaming, six kids under the age of 12. I'm not equating my experience with the people who lived in Northern Ireland. But my dad was always out and about late at night, and I could not go to sleep until I knew he was in.
By age seven, I used to comb my hair for performances, just pull my hair up into a bun. Granted, it wasn't a very intricate hairstyle. Still, to be that responsible and disciplined at age seven is unusual.
I knew that I wanted to be a writer even before I knew exactly what being a writer entailed.
I knew that I wanted to be a writer even before I knew exactly what being a writer entailed
Marriage is a difficult project. When seven years have passed and all your body's cells have been replaced, you're meant to experience that seven-year itch.
I was a writer first, and knew I'd be a storyteller at age seven. But since my parents are very practical, they urged me to go into a profession that would be far more secure so I went to medical school. But after practicing medicine for a few years, while raising two sons (with a husband who was also a doctor) I realized that combining medicine with motherhood was more of a challenge than I could handle. So I left medicine and stayed home. And that's when I once again picked up the pen and began to write.
Writers don't often say anything that readers don't already know, unless its a news story. A writer's greatest pleasure is revealing to people things they knew but did not know they knew. Or did not realize everyone else knew, too. This produces a warm sense of fellow feeling and is the best a writer can do.
I knew I wanted to be a writer before I knew that being a writer was possible.
From a very early age, perhaps the age of five or six, I knew that when I grew up I should be a writer. Between the ages of about seventeen and twenty-four I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books.
There's been no nepotism in my acting artistic life, but I think it's been pretty clear in my writing life. I knew what a pantoum was at age 11 - I knew form - therefore I would win the poetry contest. But I also realized that I would never be a great writer.
I never really knew I wanted to 'be' a writer, but I was always writing from a very young age. It became more conscious as an ideal when I was in my twenties.
The writer probably knows what he meant when he wrote a book, but he should immediately forget what he meant when he's written it.
I was age six or seven, and singing, "Jesus wants me for her son, beep, to shine for him," and people smiled and pinched my cheeks till the blood vessels broke, and I knew I was doing something right.
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