A Quote by Elizabeth George

It is the job of the novelist to touch the reader. — © Elizabeth George
It is the job of the novelist to touch the reader.
People in a novel can be understood completely by the reader, if the novelist can be understood completely by the reader, if the novelist wishes; their inner as well as their outer life can be exposed.
In the compact between novelist and reader, the novelist promises to lie, and the reader promises to allow it.
My job as the novelist is to present the whole case, then the reader gets to render her verdict.
A great novelist must open the reader's heart, allow the reader to remember the vastness and glory -- and shame and shabbiness -- of what it is to be human.
My focus is on the reader and that the poet's job is not to inspire himself or herself. The poet's job is to inspire some future reader. And so, as a reader you have a task to do in finding those bottles and opening up the messages and experiencing what's in them inside of yourself.
The novelist teaches the reader to comprehend the world as a question.
It's the writer's job to disarm the reader of his logic, to just make the reader feel.
The first job of a storyteller is to make the reader feel the story, to get the reader to live in the skin of the character.
My focus is on the reader and that the poet's job is not to inspire himself or herself. The poet's job is to inspire some future reader.
I'm an avid reader myself, and what any one reader accesses at any one time is very powerful and personal to them. Clearly you can't even begin to touch that. A novel is a singular vision, and then a myriad of readers have their own experience of that.
The suspense of a novel is not only in the reader, but in the novelist, who is intensely curious about what will happen to the hero.
Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.
The suspense in a novel is not only in the reader, but in the novelist himself, who is intensely curious too about what will happen to the hero.
If you're doing a good job as author, then you get the reader to engage in whatever speculation might be called for. And it's much more meaningful for the reader, if he or she comes up with the questions.
Every genuinely literary style, from the high authorial voice to Foster Wallace and his footnotes-within-footnotes, requires the reader to see the world from somewhere in particular, or from many places. So every novelist's literary style is nothing less than an ethical strategy - it's always an attempt to get the reader to care about people who are not the same as he or she is.
[I]f the writer does his job right, what he basically does is remind the reader of how smart the reader is.
This site uses cookies to ensure you get the best experience. More info...
Got it!