A Quote by Elizabeth Gilbert

The best we can do then, in response to our incomprehensible and dangerous world, is to practice holding equilibrium internally - no matter what insanity is transpiring out there.
If my holding out those berries was an act of temporary insanity, then those people will embrace insanity too.
Spoken forgiveness, no matter how heartfelt, works best when we do not demand the response we want. I mean that when we tell people we forgive them, we must leave them free to respond to our good news however they are inclined. If the response is not what we hoped for, we can go home and enjoy our own healing in private.
The most dangerous type of atheism is not theoretical atheism, but practical atheism -that's the most dangerous type. And the world, even the church, is filled up with people who pay lip service to God and not life service. And there is always a danger that we will make it appear externally that we believe in God when internally we don't. We say with our mouths that we believe in him, but we live with our lives like he never existed. That is the ever-present danger confronting religion. That's a dangerous type of atheism.
The novel is a thing of irony and ambiguity. That's at the heart of 'J', a world that has stopped arguing with itself. We have to keep our equilibrium of hate, which is argument. But on the Internet, you find a unanimity of response, and in 'J,' there's a fear of that, that discourse becomes a statement of political or ideological belief.
We are clear that all lives matter, but we live in a world where that's not actually happening in practice. So if we want to get to the place where all lives matter, then we have to make sure that black lives matter, too.
I realise that I had the best of serious picture journalism. There was an innocence in our approach, especially in the 1950s and 1960s when we naively believed that by holding a mirror up to the world we could help - no matter how little - to make people aware of the human condition.
I think magic, whether I'm holding my breath or shuffling a deck of cards, is pretty simple. It's practice, it's training, and it's - It's practice, it's training and experimenting, while pushing through the pain to be the best that I can be.
Painting is the making of an analogy for something non-visual and incomprehensible - giving it form and bringing it within reach. And that is why good paintings are incomprehensible. Creating the incomprehensible has absolutely nothing to do with turning out any old bunkum, because bunkum is always comprehensible.
You just send your love and gratitude to everything that came through the experience and you wish it the best. If you don't wish it the best, then you're only holding on to its failure, you're only holding on to something that needs something from you, whereas if you wish it the best, it's not about you anymore.
Donald Trump, in my judgment, would make a perilous world even more dangerous. I worry that his tendency to lash out and his ill-informed comments would cause dangerous events to escalate and possibly spin out of control at a time when our world is beset with conflicts.
Think what a better world it would be if we all - the whole world - had cookies and milk about three o'clock every afternoon and then lay down with our blankies for a nap. Or if all governments had as a basic policy to always put things back where they found them and to clean up their own mess. And it is still true, no matter how old you are - when you go out into the world, it is best to hold hands and stick together.
Usually, 'All Lives Matter' comes as a response to 'Black Lives Matter'; it doesn't exist in a vacuum. So when people say 'Black Lives Matter,' a lot of times the response 'All Lives Matter' can seem very condescending, dismissive to 'Black Lives Matter.'
We're stuck in these situations with other people and our stuff and our jobs, and thinking that we can extract ourselves from those seems doomed to me. Instead, how can we live within those systems of constraints? We don't have to enjoy them, exactly, but at least acknowledge that those boundaries are real and that they structure our response to the world. And then once you do that, you allow yourself to say "I did my best given the circumstances."
Photographs are like our children. We put the best of ourselves into them - the best of our vision, our minds, our hearts - and then we send them out into the world. At some moment, perhaps the moment we click the shutter, they are being released. From that moment on, they don't really belong to us anymore.
When he (Roger Clemens) threw the bat (during Game 2 of the 2000 World Series), I basically walked out and kept asking him what his problem was. He really had no response. I was trying to figure out whether it was intentional or not. I was going to ask him. If it was, then obviously he really no had response. I was more shocked and confused than anything.
There are cyber threats out there, this is a dangerous world, and we have to be safe, we have to be secure no matter the cost.
This site uses cookies to ensure you get the best experience. More info...
Got it!