A Quote by Elizabeth Gilbert
Every intimacy carries secreted somewhere below its initial lovely surfaces, the ever-coiled makings of complete catastrophe.
Related Quotes
My photographs don't go below the surface. They don't go below anything. They're readings of the surface. I have great faith in surfaces. A good one is full of clues.
Who ever thought that intimacy and spirituality [whatever that means] were freedoms? And if intimacy is, one would think Freedom of Intimacy is abridged rather than expanded by marriage. Ask the nearest hippie.
Fear results in fight or flight. Anxiety creates doom and gloom. Fear is the pulse that pounds when you see a coiled rattlesnake in your front yard. Anxiety is the voice that tells you, Never, ever, for the rest of your life, walk barefooted through the grass. There might be a snake...somewhere.
Every moment of this strange and lovely life from dawn to dusk, is a miracle. Somewhere, always a rose is opening its petals to the dawn. Somewhere, always, a flower is fading in the dusk.
For every beauty there is an eye somewhere to see it. For every truth there is an ear somewhere to hear it. For every love there is a heart somewhere to receive it.
The kundalini energy is often compared to a snake that is coiled up. Because it is coiled up it can spring very quickly. It can jump and extend itself very far.
Marriage is a way to avoid intimacy. It is a trick to create a formal relationship. Intimacy is informal. If a marriage arises out of intimacy it is beautiful but if you are hoping that intimacy will arise out of marriage, you are hoping in vain. Of course, I know that many people, millions of people, have settled for marriage rather than for intimacy - because intimacy is growth and it is painful.
My photographs don't go below the surface. They don't go below anything. They're readings of the surface. I have great faith in surfaces. A good one is full of clues. But whenever I become absorbed in the beauty of a face, in the excellence of a single feature, I feel I've lost what's really there been seduced by someone else's standard of beauty or by the sitter's own idea of the best in him. That's not usually the best. So each sitting becomes a contest.
Every day, it seems, a new extreme weather catastrophe happens somewhere in America, and the medias all over it, profiling the ordinary folks wiped out by forest fires, droughts, floods, massive sinkholes, tornadoes.
Every day, it seems, a new extreme weather catastrophe happens somewhere in America, and the media's all over it, profiling the ordinary folks wiped out by forest fires, droughts, floods, massive sinkholes, tornadoes.
There are some things fundamentally off about the stance of the book. And maybe that's okay; maybe every book is flawed, and great books, as flawed as they might be, articulate a moral argument that the reader then carries forward. The critique to this model is, of course, to ask: Should a book be ever so perfect that you come out of it with complete moral agreement that can be sustained?
Somewhere, things must be beautiful and vivid. Somewhere else, life has to be beautiful and vivid and rich. Not like this muted palette -a pale blue bedroom, washed out sunny sky, dull green yellow brown of the fields. Here, I know ever twist of every road, every blade of grass, every face in this town, and I am suffocating.
Below the 40th latitude there is no law; below the 50th no god; below the 60th no common sense and below the 70th no intelligence whatsoever.
When I make a film about a woman, it is possible that my feminist politics surfaces somewhere but it is not with the intention of propagating feminism.
Consciousness-raising is at the very least supposed to bring about an intimacy, but what it seems instead to bring about are the trappings of intimacy, the illusion of intimacy, a semblance of intimacy.
Then I had lunch with my cousin who works for WaterAid and she said yes, it's a catastrophe. And another catastrophe is that every day 1,400 children die from poisoned water, so now I'm an ambassador for WaterAid.
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