A Quote by Elizabeth Gilbert
It's not enough for me to just hear about something or read about something, I wanna know it in my bones.
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I always talk about the reporters that grovel when they wanna write something that you wanna hear but not necessarily millions of people wanna hear or have to hear.
If there's something you really love, something that you're excited to learn, something that you're energized when you hear about, speak about, or read about, that's where you want to throw your energy.
I wouldn't write about sh*t I don't know. You won't hear me write about politics in Africa and stuff, because I don't know enough about it. And I would never rap about something I can't back up.
...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
I am always trying to convey something that can’t be conveyed, to explain something which is inexplicable, to tell about something I have in my bones, something which can be expressed only in the bones.
I always tell people go see something you don't know about. Something you didn't read a ton about on the internet. Something that you don't know what's going to happen because I think that kind of pleasure of finding something new and discovering it, creates a hunger in you.
If you don't read it, you don't know. I mean, that's why I have a PR team. They read it and tell me if there's something, and that keeps you focused. I know my family and me well enough; why do I need to read about myself? I'm not going to change, I'm very stubborn in this way. I am what I am.
Don't nobody wanna talk about or hear about somebody donating money to a charity. You wanna hear about what Bin Laden is doing and what you think is on his mind.
Do anything you wanna do—but from [the heart]. Music is a thing from the heart, from the soul, just like anything else you do, man. And you can be the best, you can be what you wanna be. That’s right! You can do what you wanna do. I believe—I’m a blues player. I never been a millionaire, but let me tell you something—I think I am. Cause I got this. I’ve got what it take. And I don’t care if you don’t believe me, man, but I know you do. Because this is what it’s all about. Anything you do, if you wanna do it and you love it, you rich. You a millionaire, man.
I do have esteem issues when it comes to reading and writing. I always feel kind of self-conscious about letting people read something that I wrote, because the last thing I wanna hear is, 'You spelled everything wrong.'
If I want to read something that's really giving me something serious and fundamental to think about, about the human condition, if you like, or what we're all doing here, or what's going on, then I'd rather read something by a scientist in the life sciences, like Richard Dawkins, for instance.
I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.
This is a world where everybody’s gotta do something. Ya know, somebody laid down this rule that everybody’s gotta do something, they gotta be something. You know, a dentist, a glider pilot, a narc, a janitor, a preacher, all that . . . Sometimes I just get tired of thinking of all the things that I don’t wanna do. All the things that I don’t wanna be. Places I don’t wanna go, like India, like getting my teeth cleaned. Save the whale, all that, I don’t understand that . . .
I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones. Basically it is nothing other than this fear we have so often talked about, but fear spread to everything, fear of the greatest as of the smallest, fear, paralyzing fear of pronouncing a word, although this fear may not only be fear but also a longing for something greater than all that is fearful.
I like reading for things. I've shown up for jobs before where I haven't read for them, and there's something kind of intimidating about that - where the first words they'll hear from me are when they call "action." There's something about actually going in and earning a part and going, like, "Okay, they really liked what I did, and so I'm on the right track."
The fact is when I get pissed off about something or something awful has happened, I just say, 'You know what? Thank you very much. Thank you for the lyrics. Because that is exactly what you just gave me.' There's no real negative then. So if something happens, I don't cry about it. I just find myself a pen and I figure it out.
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