A Quote by Elizabeth Gilbert
I believe that - if you are serious about a life of writing, or indeed about any creative form of expression - that you should take on this work like a holy calling.
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From an early age, I had the idea that writing was truth-telling. It's on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature - the holy book. There's nothing holy about it for me, but it should be serious, and it should be totally transparent.
People talk about songwriting or comedy as creative expression, but life is creative expression. Table-making, even nursing, is extraordinarily creative.
Young actors are serious about their work and don't take any time out from it. I'm very serious about my work; there are probably only two films I've done where I had a really good time.
I was an English major in college, I went to a creative-writing program, and all my life, I really read and thought about fiction as a craft and an art form. I feel like I know a lot about it, and can trust my instincts.
In order not to cut out a large part of one's private life, the creative work should not swallow up every other form of self-expression. But that is the most complicated thing.
The hard part about writing about a guy like John Brown is that he was so serious, and his cause was so serious, that most of what's been written about him is really serious and, in my opinion, a little bit boring.
I like to keep morale up and not take things so seriously all the time. I enjoy life and laughs but I'm serious about the music. Serious about the craft of songwriting.
I would like to continue acting. I tell people I can't go back to real life. I have to see how far I can go with it. I am serious about it, and I believe that it's my calling. I think it's what my life's path is. It's what God has given me. It's what I was born to do. And so I must do it.
I seem most instinctively to believe in the human value of creative writing, whether in the form of verse or fiction, as a mode of truth-telling, self-expression and homage to the twin miracles of creation and consciousness.
There's a limit of any form of representation; it's the same about writing about visual art. I still think it's useful for people to think through things in a deeper way, and use adjectives even if they're not sufficient, you know? I always find it interesting what terms they use to refer to the work. It's always different, and that's kind of intriguing. Sometimes it's clichés, but often it's really creative ways of paraphrasing or reformatting what to mean seems something else. I like that, personally.
If my work is pornography, so what? I don't have any moral compunction about pornography. Any feelings I have about it are purely stylistic... I don't see why it should be excluded as a serious subject.
Take this as the secret of Christ's life in you: His Spirit dwells in your innermost spirit. Meditate on it, believe in it, and remember it until this glorious truth produces within you a holy fear and wonderment that the Holy Spirit indeed abides in you.
I believe that any form of writing exercise is good for you. I also believe that any form of tuition which helps develop your awareness of the different properties, styles, and effects of writing is good for you. It helps you become a better reader, more sensitive to nuance, and a better writer, more sensitive to audience. Texting language is no different from other innovative forms of written expression that have emerged in the past. It is a type of language whose communicative strengths and weaknesses need to be appreciated.
I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work and, two, that you have to give up a great deal of life, your personal life, to be a writer.
I don't know much about creative writing programs. But they're not telling the truth if they don't teach, one, that writing is hard work, and, two, that you have to give up a great deal of life, your personal life, to be a writer.
I'm very prescriptive about who I work with. I'm very clear about what I believe. If they believe what I believe I will work with them. If they say things like, "Convince me we should do this." I walk away.
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