A Quote by Elizabeth Gilbert
But when it comes to writing the thing that I've sort of been thinking about lately, is why? You know, is it rational? Is it logical that anybody should be expected to be afraid of the work that they feel they were put on this Earth to do.
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Some people are aware of another sort of thinking which... leads to those simple ideas that are obvious only after they have been thought of... the term 'lateral thinking' has been coined to describe this orther sort of thinking; 'vertical thinking' is used to denote the conventional logical process.
You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.
Now I've been crying lately, Thinking about the world as it is. Why must we go on hating? Why can't we live in bliss?
I work as hard as anybody will ever work and I like that. That's why I've been successful and that is when I feel good about myself. If I do my damnedest and don't succeed, I feel good about the effort.
'Don't Kill My Vibe' was made in a writing session, by Martin Sjolie and I, after he'd asked me what I'd been thinking about lately. I started talking about this earlier writing session that was quite difficult. The song is about the feeling of not being respected as a person, and I think that's something that speaks to millennials.
It's not a morbid thing, but I think I've never been afraid of death, which is maybe why I love writing about it.
My advice is not always so logical and consistent. But then, love is not logical and consistent. So why should my advice be? If you want that kind of thinking, go to a computer. Computers are always logical and consistent, and you see how often they get proposed to.
I really have been enjoying performing more lately than I have in a long time and you know, it's all about that sort of centered feeling that I have now. You know, thanks to, not just my kid, but her father before her. You know, I have a kind of a grounding through them that I really relish, and I think is also good for my work, you know.
Kids should feel afraid of 'Doctor Who.' All the adults I've talked to remember fondly being afraid when they were kids. That's part of the reason they remember it and love it. And if you're afraid in a controlled way, you sort of appreciate fear in some respect.
I don't understand why one should be one thing or the other. Writing, to me, is writing is writing. It should be a flexible tool. Whatever skills I have, have to work for me; I won't be dictated by them.
I would love to say there was some contemporary artist who's work really got me thinking, but lately I have just been trying to sort out 20 years of garbage TV culture that is filling my brain.
With abstract work, I never was quite sure what it was that felt right about the painting, but I did know that I responded to it and I liked whatever it was offering me. That's something that seems to happen as well when I'm writing, where maybe things that don't necessarily make a lot of logical sense are put together, and yet we struggle to make sense of these things somehow. I'm not quite sure why that is; it's something about human nature, I guess.
I've been a comedian for a long time so writing and performing is a big part of what I do. If anybody's doing comedy they should also work on writing.
For the first time driving that day I could feel the motion of the Earth. The Earth rushing through the emptiness of space. Spinning on its axis but they say you don't feel it, you can't experience it. But to feel it is to be scared and happy at once and to know that nothing matters but that you do what you want to do and what you do you are. And I knew I was moving into the future. There is not PAST anybody can get to, to alter things or ever to know what those things were but there is definitely a future, we are already in it.
In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.
Something I always tell students is, when you're writing something, you want to write the first draft and you want it to come out easily in the beginning. If you're afraid to say what you really have to say, you stammer. [...] You're judging yourself, you know, thinking about your listener. You're not thinking about what you're saying. And that same thing happens when you write.
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