A Quote by Elizabeth Gilbert
My career started young and I was really ambitious, and then I had success and I hung out with people who were much older. I think I might have been temporally misplaced, so I thought I was 40. It was a premature midlife crisis.
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Women's liberation and the male midlife crisis were the same search--for personal fulfillment, common values, mutual respect, love. But while women's liberation was thought of as promoting identity, the male midlife crisis was thought of as an identity crisis.
Adam and Eve had their midlife Crisis when they realized that they were older than sin!
Twenty-two years ago Judge [then-Senator Stephen] Douglas and I first became acquainted. We were both young then; he a trifle younger than I. Even then, we were both ambitious; I, perhaps, quite as much so as he. With me, the race of ambition has been a failure--a flat failure; with him it has been one of splendid success.
When I was thinking about what we could do in terms of what production values of Broadway might be able to add to the show, I had this thought that it would be really cool if we had a coup de théâtre. What would they want? And then I was like, an amazing, enormous tuna puppet that was like 30 by 40 feet would be pretty incredible. So I called up Basil Twist, and he got really excited immediately and started sketching out his idea, and I think it's a real highlight of the show.
When I was very young, I started to make friends with much, much older people. So when I was twenty, my friends were fifty, and I never really went through forty because I would watch them die and I would feel younger. So you make friends with older people and you will always feel young no matter what.
I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.
I started to respect older actors when I was young and then contemporary actors later on. Then I learned respect for comedy. When I was first doing theatre, I thought of it as just a means to become Sarah Bernhardt or someone like that. But acting with young people has been a great learning experience.
I might have been lucky to grow up in the 90s, but I think, actually, we started getting complacent about prejudice. We thought we had killed prejudice, and if you were still talking about it you were just going on too much.
I'd been out to a lot of people since 19. I wish to God it had happened then. I don't think I would have the same career - my ego might not have been satisfied in some areas - but I think I would have been a happier man.
The midlife crisis you're having at 30 is indulgent, but the midlife crisis you have at 45 is to an extent thrust upon you.
It just struck me as really odd that there were all of these conversations going on about what young women were up to. Were young women having too much sex? Were young women politically apathetic? Are young women socially engaged or not? And whenever these conversations were happening, they were mostly happening by older women and by older feminists. And maybe there would be a younger woman quoted every once in a while, but we weren't really a central part of that conversation. We weren't really being allowed to speak on our own behalf.
That's what you realized when you got older. When you were little, you thought you were just too young to understand the answers and that when you got older things would come into focus. Then you had to finally face the truth: There were no answers.
My love for cooking began when I was young. Because my parents were in the army, they were both really busy. A lot of times I'd have to cook for the family; I'd rotate with my siblings. It started out as a chore, but as I got older, my mom started to see that I was really good at it. I became her sous chef.
And all the things I thought were mistakes and I did cartoons on them. And then I think I was the first cartoonist in the country to attack the war in Viet Nam and that helped influence a whole generation of young cartoonists who later on took up the battle. And that was exciting to know that I had helped influence work of young people who were moving this forum into a better and more exciting area, out of the more by the state that political cartooning had been in.
Before the Kennedys were elected, there had been older Presidents. Then here was this devastatingly attractive young couple with two beautiful children. They were so intelligent, graceful, gracious and funny. They enjoyed life so much. That's what caught America's eye.
Some people go off to an ashram or they, you know, have a midlife crisis and buy a sports car. For me, I do 'Hedwig,' and I see it's a midlife crisis maybe, and I see what's next. And it's a good trampoline, maybe, into the next part of my life.
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