A Quote by Elizabeth Goudge

Not quite birds, as they were not quite flowers, mysterious and fascinating as are all indeterminate creatures. — © Elizabeth Goudge
Not quite birds, as they were not quite flowers, mysterious and fascinating as are all indeterminate creatures.
The Vikings themselves are fascinating creatures. They're human beings, of course, but their ethos are so different from ours. The fact that they live as warriors - their willingness to die for the sake of what they believe in - is quite shocking to us, and it's fascinating to see.
The author O. Henry taught me about the value of the unexpected. He once wrote about the noise of flowers and the smell of birds - the birds were chickens and the flowers dried sunflowers rattling against a wall.
The author O. Henry taught me about the value of the unexpected. He once wrote about the noise of flowers and the smell of birds—the birds were chickens and the flowers dried sunflowers rattling against a wall.
It's called the mysterious rhythm of life, ... I can't quite account for it. It's probably an addiction, quite honestly. I need that shot of stage every two or three years.
The performances I enjoy are the ones that are hard to read or ambiguous or left-of-centre because it makes you look closer and that's what humans are like - quite mysterious creatures, hard to pinpoint.
I didn't want to be thirtysomething and not know what I was going to do. I was quite afraid of that, there were quite a lot of aimless kids around, in that 'other' side of my life, who didn't really know what to do because they always had a bank balance to fall back on and they were quite lost.
Theology, I am persuaded, derives its initial impulse from a religious wavering; for there is quite as much, or more, that is mysterious and calculated to awaken scientific curiosity in the intercourse with God, and it [is] a problem quite analogous to that of theology.
Among all life forms, there are creatures with charisma and creatures without. It's one of those ineffable qualities we can't quite define, but we all seem to respond similarly to.
Writers are socially observant. We find people endlessly fascinating, and real life is mysterious. Sometimes it's hard to stop staring at the strut and squawk of my fellow man. They can be quite inspiring. Sometimes it's hard to stop talking to them to see what in the world they're thinking.
It's fascinating to me that some of the pushback is coming from sort of white suburban moms who, all of a sudden, their child isn't as brilliant as they thought they were, their schools aren't quite as good as they thought they were. And that's pretty scary.
I've obviously always been aware of actor-oriented films, being an actor. Altman and Cassavetes were really strong. And then I realized their structures were quite fascinating, too.
I remember when first, Stripes, and then Animal House came out - which I was really proud of, even though it was kind of loose and quite raucous - there were imitative movies that were not quite as good.
It's quite sad to see how many people I've known over that years that just die off, you know like wilted flowers. Well, there's something to be said for flowers in the dustbin.
The history of Iranian foreign investment in the past, their terms were always quite challenging, quite difficult.
For me, as a writer who comes from quite a naturalistic tradition, British screenwriting is quite delicate, quite small, and rarified in a way.
There was a time in my life when I was going in and out of houses that were extraordinarily different - from a working-class terrace in Northampton to the homes of friends who were really very wealthy. It was quite an odd position to be in, I realise looking back, and quite a nice one.
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