A Quote by Elizabeth Hoyt

I write both at home and at coffee shops, and I have a terrible work ethic - I have a tendency to write most of my books right before the deadline. I'm trying to work on that, but so far, I'm not getting any more organized.
The coffee shop is a great New York institution, but it has terrible coffee. And the more traditional coffee shops are trying to catch up with more sophisticated coffee drinkers.
I write in public libraries and sometimes coffee shops. I can't write at home and gave up trying long ago. I need activity around me that I'm forced to block out. It helps me focus.
I often work and write in coffee shops, observing the baristas and eavesdropping on interesting conversations.
Not write what you know, but know what you write. If you write about a world before, after, or other than this one, enter that world completely. Search it to find your deepest longings and most terrible fears. Let imagination carry you as far as it may, as long as you recount the voyage with excitement and wonder. But this is the most important rule: write the book you most long to read.
As far back as I remember, long before I could write, I had played at making stories. But not until I was seven or more, did I begin to pray every night, "O God, let me write books! Please, God, let me write books!"
I think one day I can make a book about coffee shops in Hong Kong. I spent almost most of my time in coffee shops, in different coffee shops.
I'm partial to coffee shops, brain work, and poems on the page. I write after midnight. Sometimes, twisty syntax happens, and I surrender.
The desire to be liked is acceptable in real life but very problematic in fiction. Pleasantness is the enemy of good fiction. I try to write on the premise that no one is going to read my work. Because there's this terrible impulse to grovel before the reader, to make them like you, to write with the reader in mind in that way. It prevents you doing work that is ugly or upsetting or difficult. The temptation is to not be true to what you want to write and to be considerate or amusing instead. I'm always trying to fight against the impulse to make my readers like me.
I write on weekends, on vacation, and, really - on deadline and on my floor. Both terrible for the back.
Supposedly, some writers work in rowdy coffee shops or compose whole novels to Megadeth, but when I write, I wear a pair of chainsaw operator's earmuffs.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I'm such an antsy type of person. I can't write in a room without other people around. I write in coffee shops.
What you are lies with you. If you are lazy, and accept your lot, you may live in it. If you are willing to work, you can write your name anywhere you choose, among the only ones who live beyond the grave in this world, the people who write books that help, make exquisite music, carve statues, paint pictures, and work for others. Never mind the calico dress, and the coarse shoes. Work at you books, and before long you will hear yesterday's tormentors boasting that they were once classmates of yours.
People talk about books that write themselves, and it's a lie. Books don't write themselves. It takes thought and research and backache and notes and more time and more work than you'd believe.
Now I'm trying to work outside first person. I do plan to write more books.
We write and write and write until we think, 'If we have to shoot this script, we'll be happy, and it's going to be a great movie.' I meet with all the actors two weeks before, and I ask them, 'What lines don't work? What is uncomfortable for you? What jokes do you think aren't good? If you're not getting it, here's what the joke is.' You fix it.
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