A Quote by Elizabeth Janeway

Art is a framework, a kind of living trellis, on which public dreaming can shape itself. — © Elizabeth Janeway
Art is a framework, a kind of living trellis, on which public dreaming can shape itself.
A man must have something to cling to. Without that he is as a pea vine sprawling in search of a trellis.... I was all asprawl, clinging to Beauty, which is a very restless trellis.
Men speak of dreaming as if it were a phenomenon of night and sleep. They should know better. All results achieved by us are self-promised, and all self-promises are made in dreams awake. Dreaming is the relief of labor,the wine that sustains us in act. We learn to love labor, not for itself, but for the opportunity it furnishes for dreaming, which is the great under-monotone of real life, unheard, unnoticed, because of its constancy. Living is dreaming. Only in the graves are there no dreams.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
Self-consciousness is the enemy of all art, be it acting, writing, painting, or living itself, which is the greatest art of all.
A kata is not fixed or immoveable. Like water, it's ever changing and fits itself to the shape of the vessel containing it. However, kata are not some kind of beautiful competitive dance, but a grand martial art of self-defense - which determines life and death.
The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.
Now [in China] within the framework of socialism - which is really social welfare in a social democratic framework - all they want to do is to get the kind of economic growth of the capitalist world. It can't be done. It creates the same kind of problems as in the capitalist world.
Of all forms of mental activity, the most difficult to induce even in the minds of the young, who may be presumed not to have lost their flexibility, is the art of handling the same bundle of data as before, but placing them in a new system of relations with one another by giving them a different framework, all of which virtually means putting on a different kind of thinking-cap for the moment. It is easy to teach anybody a new fact...but it needs light from heaven above to enable a teacher to break the old framework in which the student is accustomed to seeing.
I can be fascinated with very little things. The clouds stimulate my imagination, and sometimes I just sit somewhere and go on dreaming for a long time. Your head is also a computer. When you're dreaming, you are simulating a world in which you are living.
A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself.
I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing.
The voice of our age seems by no means favorable to art, at all events to that kind of art to which my inquiry is directed. The course of events has given a direction to the genius of the time that threatens to remove it continually further from the ideal of art. For art has to leave reality, it has to raise itself bodily above necessity and neediness; for art is the daughter of freedom, and it requires its prescriptions and rules to be furnished by the necessity of spirits and not by that of matter.
The underlying purpose of all art is to create patterns of imagery which somehow convey a sense of life set in a framework of order ... all great art ... harmonises consciousness with the ego-transcending Self.
Since education is not a means to living, but is identical with the operation of living a life which is fruitful and inherently significant, the only ultimate value which can be set up is just the process of living itself. And this is not an end to which studies and activities are subordinate means; it is the whole of which they are ingredients.
It's wonderful for me to see what 'We Will Rock You' has done. 'We Will Rock You' and 'We Are the Champions' have kind of transcended the normal framework of where music is listened to and appreciated - they've become part of public life, which I feel wonderful about.
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