A Quote by Elizabeth Lowell

Poignant, earthy, intensely human, Letters From A Stranger is a love story that is as unusual and courageous as its characters. — © Elizabeth Lowell
Poignant, earthy, intensely human, Letters From A Stranger is a love story that is as unusual and courageous as its characters.
I will be gone from here and sing my songs/ In the forest wilderness where the wild beasts are,/ And carve in letters on the little trees/ The story of my love, and as the trees/ Will grow letters too will grow, to cry/ In a louder voice the story of my love.
I wish we could sometimes love the characters in real life as we love the characters in romances. There are a great many human souls whom we should accept more kindly, and even appreciate more clearly, if we simply thought of them as people in a story.
If we can tell a good story with characters audiences can care about, I'd like to think that prejudices can fall aside and people can just experience the story and these characters for the human beings that they are.
The most heartbreakingly poignant modern love story ever written.
The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.
I'm constantly surprised by human nature and humanity. And I think that's why I love what I do: because I love to story-tell and bring new characters to life.
this is what I know about courage: You don't have to think about courage to have it. You don't have to feel courageous to be courageous. You don't sit down and say you're going to be courageous. At the moment of action, you don't see it as a courageous act. Courage is the most hidden thing from your eye or mind until after it's done. There's some inner something that tells you what's right. You know you have to do it to survive as a human being. You have no choice.
People like stories that are bigger than life, about characters with unusual powers. And when you get all the characters in the zodiac, it's so colorful, and it's so rich in different attitudes that the characters have.
With Amaryllis in Blueberry, Christina Meldrum has woven a beautifully layered, intensely emotional story, with unforgettable characters whose voices will remain with you long after their secrets have been revealed.
The histories of our two peoples, Palestinian and South African, correspond in such painful and poignant ways, that I intensely feel myself being at home amongst compatriots
Love After Love The time will come when, with elation you will greet yourself arriving at your own door, in your own mirror and each will smile at the other's welcome, and say, sit here. Eat. You will love again the stranger who was your self. Give wine. Give bread. Give back your heart to itself, to the stranger who has loved you all your life, whom you ignored for another, who knows you by heart. Take down the love letters from the bookshelf, the photographs, the desperate notes, peel your own image from the mirror. Sit. Feast on your life.
O ay, letters - I had letters - I am persecuted with letters - I hate letters - nobody knows how to write letters; and yet one has 'em, one does not know why - they serve one to pin up one's hair.
I've become so earthy. And I never was earthy. I'm doing all kinds of different roles which are not at all like the intellectual and the legal mind of Ben Stone.
If you are a stranger to prayer, you are a stranger to the greatest source of power known to human beings.
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.
I nod to a passing stranger, and the stranger nods back, and two human beings go off, feeling a little less anonymous.
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