A Quote by Elizabeth Marvel
If I'm asking people to give me two hours of their time, it's because I really feel like they need to listen to what the writer is talking about.
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I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
Before the show, there's about two or two and a half hours of meet and greets with radio stations, promoters, people who I need to see and thank and talk to to make sure they remember me. And then, I get - out of all that day of talking and smiling and shaking hands and getting photos, I get to sing for two hours.
I've always noticed talking about lyrics is like talking about a duality. It's like a Gemini time every time I talk about one line. Because each line, of course, means different things to different people, millions of interpretations. With me, I always see two sides. I just see things split into two.
In order to really understand, we need to listen, not reply. We need to listen long and attentively. In order to help anybody to open his heart we have to give him time, asking only a few questions, as carefully as possible in order to help him better explain his experience.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
I love the beautiful distractions of the world - television and movies, video games, the Internet in general. But I try really hard to avoid them, because they don't help me become a better writer. They subtract hours from my day. And a writer's main currency is time. Time to daydream, time to walk and think, time to sit and do the work.
My mother was very wary at first. And now she's come around 180 degrees. She's, like, one of my biggest fans now. Like, she'll come over to my house, and she'll be like, 'OK, listen. I need two T-shirts from the comedy show, and give me three DVDs. The neighbors are asking for them.'
I'm not really sure why so much people still listen us. I think we live in an era when people get attached to stuff, and it means something. Then I think a lot of people heard about it over the years - like somebody's older brother might tell them, you know, because we're from his era, and he might be like, "You need to listen to this; this is what it's all about," you know what I mean? I don't know, man, it's hard to say. But it makes us feel special.
I've talked about tall poppy syndrome when I see people. I used to be like, 'Why am I feeling this way? What is that person taking from me that makes me feel inadequate?' That same feeling you feel when you feel uncomfortable because people start talking about racism, lean into that feeling, don't just look away from it, because you can't pretend.
'I never feel the need to discuss my work with anyone. No, I am too busy writing it. It has got to please me and if it does I don't need to talk about it. If it doesn't please me, talking about it won't improve it, since the only thing to improve it is to work on it some more. I am not a literary man but only a writer. I don't get any pleasure from talking shop.
I've got two young sons who, when I ask them and their friends how they feel about gay marriage, kinda give me one of those looks like, 'Gosh, Mom, why are you even asking that question?'
People are not even going to have time to listen to radio in their cars because they are going to be talking on their phones or twittering, or BBM'ing. So I feel like the only time people are going to hear music is when your phone rings, so that's the whole market I'm going after.
What I like to do is to give my real name in Starbucks but be really hostile each time, as if they're asking me something that I've never heard in my life. I give them a really dirty look, "Really? It's Natasha. Okay?" Like I've never been to Starbucks before. Each time. I enter the premises looking for combat.
I think I was in high school, actually, and it was a guidance counselor or someone said, you know, you're just too loud; like you need to just stop talking so much and stop being so opinionated; like no one wants to listen to you because you're really annoying. And I'm glad that I didn't shut up, because it seems like people are listening.
Now, whether my not asking for good things to happen to me is subconsciously intended to win me brownie points with God is something I can't answer. But I do feel the need to give thanks and also not to feel hypocritical by asking for things when I have doubts that God would answer me.
Fans give me abuse all the time. Nearly every team does that. If I wasn't a good player, you wouldn't feel like you need to boo me the whole game. So do that if it makes you feel better, but it does spur me on. It's like, 'You expect something from me; that's why you're doing this,' so I don't mind it. They can boo me all day long, really.
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