A Quote by Elizabeth Marvel
I just love the idea of doing an all-female play on Broadway.
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I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
I remember doing Broadway, I started Broadway in 2005, and, of course, I sing two songs in the play, 'Hairspray'.
In my own writing, I avoid 'female' and try to say 'woman' because I feel that the word 'female' has connotations of not just biology but also non-human mammals. The idea of 'female' to me is more appropriate for a female animal.
I would love to do a non-musical Broadway or Off-Broadway play.
I love my regular job playing with Alice Cooper, I love doing my solo stuff, I love doing guest spots and guest tours. So I just love to play, and I'll play with anybody that'll have me, just about.
All my roots are Broadway. I got my Equity Card doing a Broadway show, and my first love is theater.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
These opportunities to go on Broadway are the most special thing, and although the idea of doing something for a year or more is daunting, I love it. It's my church and raises my spirit. It's good for my soul.
That's always - that's been another dream of mine, to do a Broadway play. An award winning Broadway play.
The only thing I have never done is a Broadway play. I'm not sure I have the discipline necessary to do a Broadway play. I know it holds a fascination for certain actors.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
I would play just about any role, male or female, in the Anton Chekov play 'The Cherry Orchard,' which I love.
My long-term goal is to play a drag role or a female role in a Broadway production.
I'm the journeyman actor that you saw in one scene here, two scenes there. I've been eking out a living doing theater - Broadway, Off Broadway - film supporting roles, that I'm just excited to be a part of the conversation.
I just noticed I've been writing lots of female-led things. Two of them haven't been announced yet, but the big Greg Capullo book I'm doing is a female-led story, and I'm doing another series with John Romita which is a female-led story as well.
No, I've never moved on with a play. I did the original 'Closer' in London but didn't transfer to the West End or Broadway with it. The same is true of 'Iceman': I didn't go to the Old Vic or Broadway with that. I don't know; I feel an allegiance often to the play where you do it first, in the theatre that it's in; you do it for that space.
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