A Quote by Elizabeth Marvel

Trying to find a way to represent something that is truly frightening on stage is a fascinating challenge. — © Elizabeth Marvel
Trying to find a way to represent something that is truly frightening on stage is a fascinating challenge.
Mr. Miyazaki's specialty is taking a primal wish of kids, transporting them to a fantasyland, and then marooning them there. No one else conjures the phantasmagoric and shifting morality of dreams - that fascinating and frightening aspect of having something that seems to represent good become evil - in the way this master Japanese animator does.
But floating for an extended period is truly amazing. My brain is constantly trying to figure out which way is up. It's an interesting challenge, one I find slightly amusing.
Who is ready to be a truly independent representative of Minnesota? Who is free of entangling alliances and big money that allows them to represent? What do we need -- that sort of person who can truly independently represent Minnesota, or something else?.
I'm very conscious of the idea of trying to each time present something that I haven't presented before. It's a challenge to me to find something new, to find something innovative, but it's also very exciting.
You're trying to write about something that's sacred. You're trying to bring the seriousness of life and death to it, and you're trying to find a way to dramatize it, and you're trying to give language to it, which is inadequate. But it's important to try.
Art is frightening. Art isn't pretty. Art isn't painting. Art isn't something you hang on the wall. Art is what we do when we're truly alive. An artist is someone who uses bravery, insight, creativity, and boldness to challenge the status quo. And an artist takes it (all of it, the work, the process, the feedback from those we seek to connect with) personally.
Being able to just stick to our instincts and honor the [Hunger Games] books and find a way to stay the course of trying to make the best possible decisions that you would make creatively on any movie, without having your head turned too much by all of the interest, has been a great challenge. It's the best challenge you could ask for, but that was a big challenge.
I think if you are truly convinced of why you're writing something, if it's a strong enough dream of yours to share this vision and see it realized, you can almost always find a way motivate yourself, to keep going back to the drawing board and trying new things and approaches.
I still feel I am that 14-year-old kid, hungry and trying to find a way through life. That's what I'm trying to develop, trying to be good at something through boxing. But I feel like that young kid who's trying and trying.
Acting gives me the opportunity to be fascinating on stage or, I suppose; properly speaking, pretend to be fascinating.
I don't see that many movies lately that are actually about something, that are trying to challenge something about the way that people interact.
Trying to find my way around the Rayburn building is always a challenge. Combining my poor sense of direction with a confusing design is not good.
When something original works, then everyone wants to copy it. But if you're trying to do something that no one's ever seen before it's frightening.
I think I'm well on the way of overcoming a very big hurdle that's been in my way for several years. Which is trying to find a way to not let the insecurity of my profession get the better of me and make me crazy. I'm trying to find a way to maintain my own personal balance in the midst of everything.
I find George Bush and Dick Cheney frightening, Donald Rumsfeld and John Ashcroft frightening.
The challenge for an artist is always to find your own way of doing something.
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