A Quote by Elizabeth Marvel
The first play I ever did was with Michael Langham, Brian Bedford, and Colm Feore, at Stratford Festival. That was my first professional job, and I got to work with Garland Wright and so many great artists.
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I did some professional radio acting as a teenager, and I essentially put myself through college with radio acting in Montreal. When I graduated, I got jobs in professional theatres, repertory, and stock theatres in Canada for a couple of years. And then I went to Stratford, Ontario, where I spent three years with a Shakespeare company. We took a classical play from Stratford to New York City, and I got some good notices there and essentially stayed and did live television. And that brings you to the beginning of filming.
Colm Feore. Newspaper column, Norwegian water. Column of steel, column of virtue, just for God's sake, Colm.
My first professional audition was for a radio play in Manchester. That was the first audition that I got. It was my first paid job, which I think was, like, £150, and I thought it was megabucks.
I understudied Colm Feore quite a bit in '85 and '86 - 'Persephone' and 'The Boys from Syracuse,' too - and that was great, great training for me. He was and he is an amazing theatre actor.
My first professional acting job was on 'Boss'. My first acting job was basically my first acting class. I had to show up on set prepared and knowing my lines. Also, I got a chance to work with a living legend, Kelsey Grammar - that gave me hands on experience.
My very first acting job ever, the first time I got paid to be an actress, was in 2001, right between my sophomore and junior year in college, when I was just 19 years old. I got paid $250 every two weeks, 10 shows a week, to be in the Utah Shakespearean Festival. I was Calpurnia in 'Julius Caesar.'
To be fair, I did come out of nowhere. 'Ghost' was the first song I ever did in a studio, my first time ever cutting a professional vocal.
My first job. I got fired from this MTV prank show, or I didn't make the cut of what ended up being, as we all know, Boiling Points. It was my first professional job and I was bragging.
One of the first plays I ever did was at the Royal Court Theatre in London; it was the first play I got after drama school.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
I got the first job and kept going. Once I got a job, I very much wanted to keep getting jobs, basically. I did try to learn what I could in those first couple of decades.
First of all, as a professional, you can run around saying "artists, schmartists" as much as you want. But I'm a professional, so if somebody hires me for something, I'm going to bring my best to it. They've hired me, I'm professional, I show up on time, I do my job. That's what we're doing. So in that sense, it's always both things.
The first job I got was this TV job in this show called 'The Unusuals.' Then I did a play called 'Slipping,' and at the same time I was rehearsing another play at Playwrights Horizons, and that kind of snowballed into a bunch of plays.
January 14, 2000, was my first time on stage, and I've been hooked ever since. I got discovered nationally in Seattle by the now-defunct HBO Comedy Festival, and that led to an appearance on 'Jimmy Kimmel Live' and a path to a professional comedy career.
My first job ever was at Baskin-Robbins when I was 14, which is probably the closest I'll ever come to having a corporate job like the one I play on TV - although I do work for Universal, so I suppose that's corporate.
Then when I got to Hollywood, the first musical I did was Festival in 1977.
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