A Quote by Elizabeth Marvel

I'm not familiar with an unaccepting family. But in my profession, nothing can be foreign. — © Elizabeth Marvel
I'm not familiar with an unaccepting family. But in my profession, nothing can be foreign.
...for reading, once begun, quickly becomes home and circle and court and family, and indeed, without narrative, I felt exiled from my own country. By the transport of books, that which is most foreign becomes one's familiar walks and avenues; while that which is most familiar is removed to delightful strangeness; and unmoving, one travels infinite causeways, immobile and thus unfettered.
For kids who are struggling, who are of faith, just reconciling yourself to the fact that God loves you, accepts you for who you are, is a big step in the healing, especially when your biological family is unaccepting of you.
What affects men sharply about a foreign nation is not so much finding or not finding familiar things; it is rather not finding them in the familiar place.
Never the less, it is no light thing to enter into a profession absolutely foreign and alien to the people among which one's lot is cast; a profession which seems as dim and faraway and unreal as the shores of Europe.
You take a vacation to a place like Thailand and you're ready for the excitement of something new and foreign. But when you're working 14-hour days, all you want is something familiar to ground you. And there's just nothing there.
Quite generally, the familiar, just because it is familiar, is not cognitively understood. The commonest way in which we deceive either ourselves or others about understanding is by assuming something as familiar, and accepting it on that account; with all its pros and cons, such knowing never gets anywhere, and it knows not why.... The analysis of an idea, as it used to be carried out, was, in fact, nothing else than ridding it of the form in which it had become familiar.
'Savior Of Nothing' calls out the would-be social justice warriors of the world who become so enveloped in fighting so passionately that they become exactly what they're trying to correct. They preach acceptance so much they become unaccepting.
No one was happy about me entering the entertainment industry because I belong to a Syed family. But I believe no profession is a bad profession, rather it's all about the mindset.
My family has existed in eastern Kentucky for as long as there are records. If you're familiar with the famous Hatfield-McCoy family feud back in the 1860s, '70s and '80s in the United States, my family was an integral part of that.
It doesn’t make sense, it’s not logical, it’s not a safe profession or a smart profession if you wanna make money or have a living or have a family. So the fact that we keep doing [theatre] means we’re getting something from it that is almost childlike in its innocence.
I have a great family myself so I know if you don't have a family you've got nothing. Nothing else can take the place of the family - not girlfriends or a career.
Long looking at paintings is equivalent to being dropped into a foreign city, where gradually, out of desire and despair, a few key words, then a little syntax make a clearing in the silence. Art... is a foreign city, and we deceive ourselves when we think it familiar... We have to recognize that the language of art, all art, is not our mother-tongue.
I am not familiar with Telugu, Tamil or Malayalam and tend to feel they are foreign languages to me.
I like to compare the holiday season with the way a child listens to a favorite story. The pleasure is in the familiar way the story begins, the anticipation of familiar turns it takes, the familiar moments of suspense, and the familiar climax and ending.
For me acting is just a profession. As much passion I have for my profession, I always seperate profession from life.
But foreign should not be defined in geographical terms. Then it would have no meaning except territorial or tribal patriotism. To me that alone is foreign which is foreign to truth, foreign to Atman.
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