A Quote by Elizabeth McCracken
Vilnius was once known as 'The Jerusalem of Lithuania' because of the number of prayer houses and scholars there; in the first half of the 20th century, it became a center of Yiddish-language scholarship.
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Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.
It's unfortunate that a certain type of stripped-down classicism became the in-house architectural language for 20th-century fascism. Can an architectural language recover from such an association? Yes, I think it can, because in the end what you're talking about is a column and beam.
D-Day represents the greatest achievement of the american people and system in the 20th century. It was the pivot point of the 20th century. It was the day on which the decision was made as to who was going to rule in this world in the second half of the 20th century. Is it going to be Nazism, is it going to be communism, or are the democracies going to prevail?
The heart of the security agenda is protecting lives - and we now know that the number of people who will die of AIDS in the first decade of the 21st Century will rival the number that died in all the wars in all the decades of the 20th century.
The heart of the security agenda is protecting lives, and we now know that the number of people who will die of AIDS in the first decade of the 21st Century will rival the number that died in all the wars in all the decades of the 20th century.
In the first half of the 20th Century, we lived through human disasters on a scale unimaginable. The Holocaust was once suggested would be the end of not only civilization, but art, too.
In the early 20th century the monarchy was held up as the archetypical virtuous British family. In the late 20th century it became the most wonderful symbol of the complete re-engineering of family structures.
When I first met my husband, he was sculpting Vilnius out of clay - a sort of Vilnius, anyhow: a map of an imaginary European city based on the Lithuanian capital - to illustrate his second novel.
There was engrained poetry and then when you look back at our history and in the 20th century, the last century, probably the greatest writers of the 20th century were Irish. It became our only weapon, was our poetry, our music.
Before I became prime minister, as mayor of Jerusalem, I became world-renowned because of my fight for the unity of Jerusalem.
When I started formulating the first Frank comic, I knew I wanted it to be something that was beyond time and specific place. I felt that having the characters speak would tie it to 20th-century America, because that would be the idiom of the language they would use, the language I use.
The different American experience of the 20th Century is crucial because the lesson of the century for Europe, which essentially is that the human condition is tragic, led it to have a build a welfare system and a set of laws and social arrangements that are more prophylactic than idealistic. It's not about building perfect futures; it's about preventing terrible pasts. I think that is something that Europeans in the second half of the 20th century knew in their bones and Americans never did, and it's one of the big differences between the two Western cultures.
In the first half of the 20th century, fashion was simply not a very English thing to do.
The first half of the 20th century belongs to Picasso, and the second half is about photography. They said digital would kill photography because everyone can do it, but they said that about the box brownie in 1885 when it came out. It makes photography interesting because everyone thinks they can take a picture.
That's a chapter - the last chapter - of the 20th ... 20th ... the 21st century that most of us would rather forget. The last chapter of the 20th century. This is the first chapter of the 21st century.
The whole of the 20th century has always put the car at the center. So by putting the pedestrian first, you create these livable places, I think, with more attraction and interest and character.
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