A Quote by Elizabeth McCracken
I sort of don't believe in closure. In the sense that it doesn't make me feel better to think that something is over.
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We live in an uncertain world and we want to believe that what a man is and what a woman is-I know that. And people don't want to critically interrogate the world around them. Whenever I'm afraid of something or I'm threatened by something, it's because it brings up some sort of insecurity in me. I think the reality is that most of us are insecure about our gender. They think, 'Okay, if there's this trans person over here, then what does that make me?
Something you hear a lot is that feminism dead. But if feminism is dead, why do people try so hard to kill it? Something just isn't making sense there. So I think when young women hear like, hey, someone's trying to get something over on me, you know, someone's trying to deliberately keep me away from a movement that could make my life better, I think that really resonates with them.
You do what you have to do to give people closure; it makes them feel better and it doesn't cost you much to do it. I'd rather apologize for something I didn't really care about and leave someone on Earth wishing me well.
I make music because it helps me. I feel better after I've written a song. I listen to my own songs, and they make me feel and think about stuff I'd done or someone said to me, and I feel a bit better.
We always feel there are 3 parts to the song. The most important part is the reason it should exist. Our process usually consists of me sitting at the piano & Bob hovering over it. We throw ideas out...I start to play something...he'll hum something to make it better. He'll throw a line to me, I'll twist it to make it better and we scramble around like that for sometimes hours and days, 'til we both agree we've got something to show! That's how it works!
Say something, Amy," Miranda insists. "Something positive. I'm sure it'll make you feel better." "Okay, Miranda. I've got it." I motion the girls to lean in close to hear my words. "At least I'm not dead." How's that for positivity? I have to admit it does make me feel better.
I truly believe that closure doesn't need to come from the other person. You can always get closure from yourself.
We women have lived too much with closure: "If he notices me, if I marry him, if I get into college, if I get this work accepted, if I get this job" -- there always seems to loom the possibility of something being over, settled, sweeping clear the way for contentment. This is the delusion of a passive life. When the hope for closure is abandoned, when there is an end to fantasy, adventure for women will begin.
For me, as Yasmine, I do this every day. I wake up in the morning, and if I can do something to make someone feel better, I do it. I do not wait to be invited; I think that's the worst thing we can do. I make it my job to wake up every day and do one thing for one person and make them feel better.
I really don't act. I just live what George and I are doing. It has to make some sort of sense to me, or it won't ring true. No matter what the script says, there's no audience and no footlights and no camera for me. There's no make-believe. It's for real.
If you get caught at some crucial point and somebody tells you that your doctrine doesn't make sense - you're ready for him. You tell him there's something above sense. That here he must not try to think, he must feel. He must believe. Suspend reason and you can play it deuces wild.
We have a system that is deeply narcissistic - the consumer sort of capitalist culture. It's all about me and now and what do I need that just makes you feel a bit better with all the stress. But in other healthy cultures, they have a real sense of ancestor and a sense of the next seven generations.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
He landed on his back amid a tangled pile of clothes. "Isabelle," Simon protested weakly, "do you really think this is going to make you feel any better?" "Trust me," Isabelle said, placing a hand on his chest, just over his unbeating heart. "I feel better already.
I don't believe in a lot of things from the Bronze Age, but an eye for an eye does make a sort of symmetrical sense to me. I really believe that if somebody takes a life, that [death penalty] is what they should get. I also think it's a lot more humane than keeping people in a cage for the rest of their life.
I'm fortunate enough that every job I do seems to be, at the very least, teaching me something fantastic. I make new friends. I work with talented people. And each project and experience seems to be better than the last. I seem to be topping myself all the time. I think to myself: "It can't get better, it can't get better..." And then something happens that makes me feel like I'm truly richer for the experience.
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