A Quote by Elizabeth McGovern

Whenever I work on anything, there's always the fantasy that what one is doing is the next 'Citizen Kane'-slash-'Sopranos.' — © Elizabeth McGovern
Whenever I work on anything, there's always the fantasy that what one is doing is the next 'Citizen Kane'-slash-'Sopranos.'
I mean, everyone says Citizen Kane. It isn't that great, anyway. And Orson Welles I knew well, of course. He made other incredible films that no one would let him make, which were much better than Citizen Kane, really.
Is 'Garden State' the next 'Citizen Kane'? Of course not. I'd like to think we aimed a little higher than that, frankly.
I think 'World of Warcraft' shows that people today still like a good fantasy hack and slash game. I always thought that a lot of computer fantasy games leapt into complex party-based play somewhat prematurely.
I would want like, model-slash-actress-slash-designer-slash-mother-slash... cook! I just like having my finger in loads of pies all the time.
I thought for a minute about an actor and a musician simultaneously, but I think that's always very loaded as an actor when you become a "slash," and you do an actor "slash" anything. You better be really, really good at it.
When you are next to Harry Kane, achieving all he is and scoring so many goals, it's normal that the focus is on Harry Kane.
Whenever you're dealing with fantasy, and you're doing vampires or anything that is not too based in reality, and you try to base it in reality, you have so much of a greater chance of sounding hokey.
Good preparation is key for me. Nowadays everyone is an actor slash writer, slash this, slash that, its cool; and you can only go so far on pure talent so you also need to know your craft well. I directed tons of shorts in college and acted in a slew of non paying acting work. You just have to be prepared. Period.
There's a rule for what makes good fantasy work, and it's as strange as any riddle ever posed in a fairy tale: In fantasy, you can do anything; and therefore, the one thing you must not do is 'just anything.' Why? Because in a story where anything can happen and anything can be true, nothing matters. You have no reason to care what happens. It's all arbitrary, and arbitrary isn't interesting.
You don't have to know anything about the Shakers to appreciate Mr. Copland's score for 'Appalachian Spring' any more than you have to know who William Randolph Hearst was to understand 'Citizen Kane.'
I guess you could say I'm a model slash hotelier slash actor slash screenwriter.
You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.
In doing everything, from coming up with the ideas and putting them on paper till doing the final edits, you are always thinking the next three steps, you're always thinking what next, what next, what next?
First rule of Teach Kane a Lesson: you don’t talk about Teach Kane a Lesson. Second rule of Teach Kane a Lesson: you don’t talk about Teach Kane a Lesson. Third rule of Teach Kane a Lesson: if someone taps out, you just keep fighting. Fourth rule of Teach Kane a Lesson: there are no rules. Got it?
I've always liked fairy tale and spectacle. I wouldn't say I was a fantasy fan, but anything beyond reality I've always found exciting - the work of David Lynch, the work of Tim Burton. But for me, I also love those things that are absolutely about human relationships.
Slash can take three notes and make a beautiful solo. And that's one thing I've always really admired about his guitar playing. I'm a huge Slash fan all around.
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