A Quote by Elizabeth Meriwether
If I'm writing something and I'm not feeling mischievous, then I know it's not going to be great.
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it is not that religion is merely useless, it is mischievous. It is mischievous by its idle terrors; it is mischievous by its false morality; it is mischievous by its hypocrisy; by its fanaticism; by its dogmatism; by its threats; by its hopes; by its promises.
I've had to really teach myself that when you're not feeling it, you shouldn't write anything down because you're going to end up coming back and re-writing it later. Whereas, if you write when you're feeling something, when you're really in the streak, then that's when you're going to get your best stuff.
I've found a bit of success in my career, and I'm very relieved by it, but the success that comes after a book is published is never as happy as the feeling of writing, of knowing you've written something good, of feeling like you've had a worthwhile day in the chair. That's the best feeling I know, and as soon as writing stops making me feel that way, I'll stop doing it.
True confession time: I never know where a book is going. I get a gut feeling the story is there, then pursue it with the enthusiasm of a hunting tiger on a trail. If I knew where I was going, I'd get bored out of my mind and stop writing.
I shift between mediums very frequently. Instead of taking a break from writing, I just write in a different medium or in a different way or for a different purpose, so that I don't actually stop writing - I just go to something else. Like going from a big symphony to a piano piece is great and very refreshing, I find. And then going from that to a big concerto, and then having to go out and play.
I will never stop writing. People often ask when I will retire, but I say it's none of their business. Writing defines who I am. I love the feeling of holding a finished book in my hands, and then I can't wait to start the great adventure of writing the next one.
I've been writing since I came to Nashville when I was 17. I've been blessed to have written with so many of the biggest names around. They took me under their wing and taught me the ways of writing. They saw something special in me, which feels great. Every song on my record is going to be original, and that's just a really cool feeling.
There's something really liberating about feeling great in what you work out in because when you feel great in the gym, then you are just going to do a better job. You'll feel more comfortable, which will allow you to push your limits.
I am a big proponent of writing a great outline. That way you can avoid hitting a roadblock. There is no worse feeling than writing yourself into a corner but if you've figured it all out in the outline then you won't have that problem.
I don't know if it's the weather or what's going on - the summer or something like that - but recently I've been feeling extremely bisexual. I don't know what it is. I don't know what's going on, but I walked down the street and, suddenly, the ladies are looking awfully good to me.
I think a great first date would be something different... not like movies or going to dinner... going rock climbing together... doing an activity and then going to dinner, so that you guys share an experience, and then you have something to talk about, and it's not the same old thing.
When you're writing a movie or a play and writing isn't going well, which is for me the normal condition - it's an exceptional day when suddenly I've got something and it's going well - you can call the studio or the producer or whoever is waiting for it and say, "I know I said I was going to have it in by the end of the summer.
All of us were mischievous at some time or another, I more so than any of the rest. [My brother] Philbert and I kept a battle going. ... Even in our fighting, there was a feeling of brotherly union.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
It's great to know you've earned your place and to know that you are right for the role because my biggest fear is being offered something and showing up on set and doing one day and everyone going, "Oh geez, oh no, this isn't, she isn't.." and feeling that way myself.
It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.
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