A Quote by Elizabeth Meriwether

I think so much of writing is an instinct, or a feel for a scene, or a feel for a character. You have to put into words the word 'tone,' which I think is thrown around a lot and can mean a hundred different things, but communicating that to other people is definitely a challenge.
I love taking on challenges. I think one of the funnest things in acting is creating a character - wrapping yourself around a character and bringing him to life. I love a lot of different genres. I'm not a big horror guy by any means but I love the challenge. But the fifties and sixties is where I feel the most comfortable.
When I think about moguls, I think like Donald Trump who... owns NYC practically. That's a mogul. I feel like I'm on my way to a lot more, but mogul is a really serious thing. I think it's a word that gets thrown around easily.
But I think writing should be a bit of a struggle. We're not writing things that are going to change the world in big ways. We're writing things that might make people think about people a little bit, but we're not that important. I think a lot of writers think we are incredibly important. I don't feel like that about my fiction. I feel like it's quite a selfish thing at heart. I want to tell a story. I want someone to listen to me. And I love that, but I don't think I deserve the moon on a stick because I do that.
In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.
Everyone's different, but I think the snug feel is definitely popular on tour. A lot of guys like to feel like they are held tightly in their shoe. That feeling helps you move around the court quicker.
It's much easier to put yourself out there under the guise of a character. You get a different name, different habits, different words. When I have to just be Nathan, that's when I feel vulnerable.
A lot of people - boys - look at me differently. They think that if they date me, they are gay because they are dating another boy. In instances like this, I feel almost excluded, if that's the right word. I feel like I'm being put on a different shelf.
My fans - I hate the word fans...my supporters - it's an international following that isn't from being in London and existing on the "scene." It came from being on the Internet, from being a teenager communicating with different artists, showing who I am, who KESH is, as well as connecting with other people around the world doing similar things.
Essentially I feel like all of that pressure when you're making the first of a franchise of [movies based on] books that mean so much to people that has so much attention on it, it can be quite paralyzing I think. I think a lot of that creeped in the first time around and it maybe affects the work.
I admire traits in people. I 'respect' certain things about them but I think that word gets thrown around too much.
I think pretty much all people who love each other had some kind of thing at first sight. I mean, there has to be some kind of moment where you, like, feel a different energy around someone.
It's very common to think that we're always evolving, that we've changed so much from our younger selves, that within decades we've transformed into these different people. We like to think that. I feel in some ways that I am still so much my younger self. There are ways that I'm different: I feel like I'm wiser and kinder. But I think a lot of the impulses are still the same. I learned that.
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
I use a lot of different words for God - infinite intelligence, primordial, perfection or universal creativity. All of these, to me, are God. And 'God' is a word, I think, that some people feel uncomfortable with, so they can use another word, you know? It's the great mystery.
It doesn't matter what word we use, if it has the same content, it will be treated in the same way. There are other words - there's "womanist," there's "mujerista," there's "women's liberationist" - all mean the same thing and they get the same ridicule. I think we just need to choose what word we feel comfortable with that says women are full human beings, and whatever that word is, it will get a lot of opposition. But it will also attract a lot of support. But this is a revolution, not a public relations movement.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.
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