A Quote by Elizabeth Olsen
We leave Scarlet Witch without a home, without a family, and she ends up creating a surrogate family within the Avengers and making a decision to be a part of the team. I think a lot of that has to do with what Jeremy's character - like his attitude towards her and the speech he gives her at the end of the film. So we pick up with her having started a new life, but still trying to figure out what her abilities are and if using them causes greater good or greater damage.
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Attitude
Avengers
Causes
Character
Creating
Damage
Decision
End
Ends
Family
Figure
Film
Gives
Good
Greater
Greater Good
Having
Her
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Jeremy
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Making
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I think part of that comes from time's passed, and she's been in an environment where training is part of the thing. It's not like we do a montage of her discovering her powers like in every X-Men film but yeah, there's no montage. But she does have these new abilities that we pick her up with.
In People magazine, Madonna said her life has been exhausting since she started her world tour. She said there isn't a second of her life that isn't taken up looking after her family or thinking of her show - her day is filled with problems of work and family. Someone should tell her, everyone else calls that, life.
My mother has made choices in her life, as we all must, and she is at peace with them. I can see her peace. She did not cop out on herself. The benefits of her choices are massive-a long, stable marriage to a man she still calls her best friend; a family that has extended now into grandchildren who adore her; a certainty in her own strength. Maybe some things were sacrificed, and my dad made his sacrifices, too-but who amongst us lives without sacrifice?
A great civilization is not conquered from without, until it has destroyed itself from within. The essential causes of Rome's decline lay in her people, her morals, her class struggle, her failing trade, her bureaucratic despotism, her stifling taxes, her consuming wars.
A mother has far greater influence on her children than anyone else, and she must realize that every word she speaks, every act, every response, her attitude, even her appearance and manner of dress affect the lives of her children and the whole family.
Getting to play the part of Selena was life-changing for me, i got to immerse myself in her life, got to know her family, her home, her culture ... every part of her story. It was a special time in my life both professionally and personally. Playing her not only opened doors for me in the film world, but it inspired me to start my own music career. In a lot of ways, I wouldn't be where I am today if I hadn't had that experience.
In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.
Yeah? Okay," she said, staring up into the stars. "Let's see. You know how, at the end of Romeo and Juliet, Juliet wakes up in the crypt and Romeo's already dead? He thought she was dead so he killed himself right next to her?" "Yeah. That was awesome." A pause, followed by "Ow," suggested elbow punctuation on the part of Mik. Karou ignored it. "Well, imagine if she woke up and he was still alive, but..." She swallowed, waiting out a tremor in her voice. "But he had killed her whole family. And burned her city. And killed and enslaved her people.
You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.
The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.
She bowed her head, clasping her hands tightly before her upon the arm of his chair, for her heart yearned towards him, yet could not reach him, and it made her throat ache with unhappiness to meet that look of his that rested on her face without seeing it.
If you don't invest in the woman, empower her, give her the things she needs to lift her family up, you're just not going to make the progress that you want to make. But if you put her at the centre, you can change a lot for that family, and it has ripple effects through the economy.
But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirely. There is a part of her greater than the sum of her knowable parts. And that part has to go somewhere, because it cannot be destroyed
What's amazing to me is how many of the issues facing women in the ancient world still linger today. Take Odysseus' wife, Penelope, a brilliant, resourceful woman who ends up in a terrible situation: in her husband's absence, she is being held hostage in her own home by men who claim to be courting her. She tries to make them leave, but because she's a woman they refuse, blaming their bad behavior on her desirability.
What irritated her most was that they kept brushing off her arguments with patronizing smiles, making her feel like a teenager being quizzed on her homework. Without actually uttering a single inappropriate word, they displayed towards her an attitude that was so antediluvian it was almost comical. You shouldn't worry your pretty head over complex matters, little girl.
For more than a year, he'd felt destined to marry Isabel Arundell; now, suddenly, he wasn't so sure. He loved her, that was certain, but he also resented her. He loved her strength and practicality but resented her overbearing personality and tendency to do things on his behalf without consulting him first; loved that she tolerated his interest in all things exotic and erotic but hated her blinkered Catholicism. Charles Darwin had killed God but she and her family, like so many others, still clung to the delusion.
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