A Quote by Elizabeth Pena
When I got Jacob's Latter, I was nervous because I felt I wasn't allowed to fail. I felt that they were waiting for one little failure and that would prove them right and I'd be, 'out of there.'
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I sat in at every club in New York City, jamming with musicians, because it felt right - and because it felt right and we were having fun - the people dancing and sipping their drinks in the clubs felt it too and it made them smile.
Failure's relative. I've always felt, even early on, if I lose the freedom to fail, something's not right about that. It's how you treat failure, too. There's something to learn from it. I've had movies that have failed colossally, so you kind of analyze your failures: What kind of failure was it? A failure because it's misunderstood by others? A failure because you misunderstood it yourself?
We [with Rick Rubin] would focus on the ones that we did like, that felt right and sounded right. And if I didn't like the performance on that song, I would keep trying it and do take after take until it felt comfortable with me and felt that it was coming out of me and my guitar and my voice as one, that it was right for my soul.
When I was growing up, my dad would encourage my brother and I to fail. We would be sitting at the dinner table and he would ask, 'So what did you guys fail at this week?' If we didn't have something to contribute, he would be disappointed. When I did fail at something, he'd high-five me. What I didn't realize at the time was that he was completely reframing my definition of failure at a young age. To me, failure means not trying; failure isn't the outcome. If I have to look at myself in the mirror and say, 'I didn't try that because I was scared,' that is failure.
There are a lot of people out there who are just waiting that we fail. They brought up the theory that we're one-hit wonders and they want us to fall flat on our noses, just to prove them right.
I know there were periods of times where I didn't feel understood, and there were very few people around me that I felt like they really got me. There was one person who was sort of the one in my life that really got me.In general, I felt a little bit on the outside and not totally included. There was a period of time when we were moving around a lot. So I couldn't really hold on to a certain set of friends. And so that was a little bit difficult.
On The Others, very atmospheric and probably mysterious is how I would say it felt to be on the set. It felt just a little uneasy, the atmosphere that we were trying to capture.
I guess when I got into my preteens, I turned about 12 and I decided to sing R&B, because I felt like one day there were some things I felt like I would want to say, that I couldn't say with gospel music.
To be honest, I felt more myself with that haircut. I felt bold, and it felt empowering because it was my choice. It felt sexy too. Maybe it was the bare neck, but for some reason I felt super-, supersexy.
In the Irish Revival of 1859, people became so weak that they
could not get back to their homes. Men and women would fall by
the wayside and would be found hours later pleading with God to
save their souls. They felt that they were slipping into hell and that
nothing else in life mattered but to get right with God... To them
eternity meant everything. Nothing else was of any consequence.
They felt that if God did not have mercy on them and save them,
they were doomed for all time to come.
For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that's because my parents always treated me as an adult.
For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that’s because my parents always treated me as an adult.
From the time I was little, I always felt like an outsider. I always felt nervous and uncomfortable with myself.
But because they didn't see each other very often, their relationship had more ups and downs than either of them had experienced before. Since everything felt right when they were together, everything felt wrong when they weren't.
In coming to Atlantic City, we believed strongly that we were right. In fact, it was just right for us to come to challenge the seating of the regular Democratic Party from Mississippi. But we didn't think when we got there that we would meet people, that actually the other leaders of the Movement would differ with what we felt was right.
But I felt like Pablo Escobar felt like he was an honorable businessman. And when he killed people, I think he felt he did it because they were honorable. That they were liars and were trying to cheat him. I don't think he had a lot of respect for the politicians in Columbia at the time, so he had quite a lot of fun killing them.
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