A Quote by Elizabeth Reaser
The Cullens, they're an interesting group of vampires. They're all really good but kind of bad. I mean, they are still vampires.
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So yes, this is a show about an adolescent girl, her friends, and various vampires. Vampires writing in diaries, vampires attending high school, vampires investigating various mysterious supernatural events, vampires tormenting each other, vampires eavesdropping on each other, and vampires being sarcastic about other vampires' hairstyles. Vampires embracing every possible opportunity to take off their shirts.
My children are vampires. I don't mean that they are going to dress as vampires for Halloween. I mean that, like vampires, they cannot be captured on film.
What I'm working on now - I'm back to fantasy, although considering that it's me, I'm turning it into a kind of science fantasy. It's a vampire story - but my vampires are biological vampires. They didn't become vampires because someone bit them; they were born that way.
I think with vampires, you can't really go wrong. For generations, vampires have been a hit because they're unobtainable, mysterious, sensual, dangerous, kind of sexy.
I'm 48, and I have been in love with vampires since I was six. I was born in 1962, so I've been through three or four waves of vampires. When I was growing up, we had vampire shows and movies. We were still dealing with Bela Lugosi, Boris Karloff and the old Christopher Lee vampires.
You know, what's popular? Okay, vampires are very popular. Let me make my vampire movie. I'm not saying you can't make a vampire movie. But if you're going to do one do something crazy. I mean don't just get a bunch of, like I said, models and make them into vampires so you'll get an audience. You know maybe get some ugly vampires for a change.
Aaron Spelling was a huge fan of vampires, and everything in that genre. He just really loved the entire subject of vampires and he was really passionate about it. If you really like the idea of this other world and the intricacies of it, because there were a lot of them, and once you're hooked, it's always something that's a fascination to you.
I was thinking about vampires and, specifically, about what makes vampires a romantic trope: about what people like about not just vampires but supernaturally long-lived creatures in general, which is a thing that shows up in probably fifty to sixty percent of paranormal romances... And then, for some reason, I decided to reverse it.
The reason people use a crucifix against vampires is because vampires are allergic to bullshit.
Kim Newman's Anno Dracula is back in print, and we must celebrate. It was the first mash-up of literature, history and vampires, and now, in a world in which vampires are everywhere, it's still the best, and its bite is just as sharp. Compulsory reading, commentary, and mindgame: glorious.
I've loved vampires for a very long time. In eighth grade, I guess, my research paper was on vampires.
Vampires Are Us: Understanding Our Love Affair with the Immortal Dark Side,” is now out! Quote: “Vampires let us play with death and the issue of mortality. They let us ponder what it would mean to be truly long lived. Would the long view allow us to see the world differently, imagine social structures differently? Would it increase or decrease our reverence for the planet? Vampires allow us to ask questions we usually bury.
For me personally, I think I just enjoy movies about werewolves or vampires because it's not like an everyday thing. It's something you can really escape into. Underworld I'm a huge fan of because it's a great love story, but at the same time when it comes to vampires and werewolves it's just such a fantasy. It has everything involved in it. Action, it's sexy, it's interesting, there's just so many things involved in it that make it so cool.
Vampires, real vampires, didn't nibble on the necks of nubile young virgins. They tore people to pieces and sucked the blood out of the chunks.
I'd seen 'Interview with A Vampire' and saw Dracula movies growing up, but I never thought, 'I love vampires; I have to do a show about vampires.'
Seán Manchester is, unsurprisingly, very well read in both classical and more recent sources on vampires and vampirism, and cites them with great authority while taking the reader through a brief tour of vampire lore and mythology. This is a book I'd recommend to anybody with an interest in the author or vampires. The parts which deal with vampires are obviously based on years of substantial research and personal experience.
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