A Quote by Elizabeth Scott
I see what grief does, how it strips you bare, shows you all the things you don't want to know. That loss doesn't end, that there isn't a moment where you are done, when you can neatly put it away and move on.
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Grief is real because loss is real. Each grief has its own imprint, as distinctive and as unique as the person we lost. The pain of loss is so intense, so heartbreaking, because in loving we deeply connect with another human being, and grief is the reflection of the connection that has been lost. We think we want to avoid the grief, but really it is the pain of the loss we want to avoid. Grief is the healing process that ultimately brings us comfort in our pain.
You can't patent a move. It's challenging enough to come up with a move that nobody else does... I try and do things that I would want to see done that I haven't seen other people do. Most wrestlers obviously don't think that way, and instead they steal somebody's move as soon as they've gone on to the next company.
You know, there's a tremendous amount of genetic propensity not necessarily for what TV shows you like but for literally how you view the world, how you react to things, how things touch you and how things move you.
I see now how things even up, how they are squared away, and how they balance under the law of love and justice. No year of life is emotionally, spiritually or even materially, all drought or all rainfall; nor is it all sun. The road turns a little every day, and one day there's a sudden twist we didn't dream was there, and for every loss there is somewhere a gain, for every grief a happiness, for every deprivation a giving.
Grief does not end and love does not die and nothing fills its graven place. With grace, pain is transmuted into the gold of wisdom and compassion and the lesser coin of muted sadness and resignation; but something leaden of it remains, to become the kernel arond which more pain accretes (a black pearl): one pain becomes every other pain ... unless one strips away, one by one, the layers of pain to get to the heart of the pain - and this causes more pain, pain so intense as to feel like evisceration.
It's very good for you, riding. You know how every model is like, 'I do yoga.' Well, I find horses to have the same effect, in that you have to put your ego aside and concentrate on making the horse do the things you want it to do, and move in the way you want it to move - particularly if you're doing dressage.
Grief is not just a series of events, stages, or timelines. Our society places enormous pressure on us to get over loss, to get through grief. But how long do you grieve for a husband of fifty years, a teenager killed in a car accident, a four-year-old child: a year? Five years? Forever? The loss happens in time, in fact in a moment, but its aftermath lasts a lifetime.
I do remember the moment when, as a child, I realized that the things we call 'TV shows' are really just the stuff that gets put between commercials. Later, I came to see that the kinds of things that get on 'free' TV are shows that help sell products.
Let no one pray that they know not sorrow,
Let no soul ask to be free from pain,
For the gall of to-day is the sweet of to-morrow,
And the moment's loss is the lifetime's gain.
Through want of a thing does its worth redouble,
Through hunger's pangs does the feast content,
And only the heart that has harboured trouble
Can fully rejoice when joy is sent.
Let no one shrink from the bitter tonics
Of grief, and yearning, and need, and strife,
For the rarest chords in the soul's harmonics
Are found in the minor strains of life.
All I really want to do is things I haven't done. 'I'm gonna put a paper bag on my head and be on the cover of 'Billboard,' see what I can get away with - if they'll let me.' And they let me. And I am literally giggling inside for, like, a month that I got away with it.
The country is yearning to put behind all these horrible things that have to do with corruption, state capture, behind us. The sooner these are all done, the better, because we want to move on; we want to move on to a better life.
And do not be paralyzed. It is better to move than to be unable to move, because you fear loss so much: loss of order, loss of security, loss of predictability.
Every ending is arbitrary, because the end is where you write The end. A period, a dot of punctuation, a point of stasis. A pinprick in the paper: you could put your eye to it and see through, to the other side, to the beginning of something else. Or, as Tony says to her students, Time is not a solid, like wood, but a fluid, like water or the wind. It doesn't come neatly cut into even-sized length, into decades and centuries. Nevertheless, for our purposes we have to pretend it does. The end of any history is a lie in which we all agree to conspire.
Since I was a kid, I've liked to see how things are done. Sometimes when you see how things are done, it's like watching a 'making of' within the story. You see the physical aspect, the construction of things.
When bad things happen, part of us might go away. It's a survival technique. You can't stand to be around when there's so much grief or pain in your life so part of you goes away. Shamans call this soul loss.
There's a lot that I haven't put up there since my husband passed away because then it would be grief everyday. I have to fight within myself at times and ask, 'how do I go through the grief and find a light, even a glimmer of it?'
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