A Quote by Elizabeth Smart

Music is the unspoken language that can convey feelings more accurately than talking ever could. — © Elizabeth Smart
Music is the unspoken language that can convey feelings more accurately than talking ever could.
Music can describe emotions far more accurately than words ever can. As soon as I realised that, I knew music was where I wanted to be.
It's my language, the language I speak. I've spent a lot more time playing music than talking or writing.
It is clear from a common sense viewing of the program that coarse language is a part of the culture of the individuals being portrayed. To accurately reflect their viewpoint and emotions about blues music requires airing of certain material that, if prohibited, would undercut the ability of the filmmaker to convey the reality of the subject of the documentary.
I don't worry about how accurately I convey my personality. I learned early on that it's almost impossible to accurately portray yourself.
I try to use a poetic language more than talk about my feelings, but it is married to the music.
Even, she thought, even without the gift of witchsight, there was more beauty to be found in the world than could ever be snared in language or music. And with the sight.
Part of what makes a situation traumatic is not talking about it. Talking reduces trauma symptoms. When we don't talk about trauma, we remain emotionally illiterate. Our most powerful feelings go unnamed and unspoken.
There's almost no content in terms of language at all. I don't like using language to convey meaning. I'd rather use images and music.
Sexuality is primarily a means of communicating with other people, a way of talking to them, of expressing our feelings about ourselves and them. It is essentially a language, a body language, in which one can express gentleness and affection, anger and resentment, superiority and dependence far more succinctly than would be possible verbally, where expressions are unavoidably abstract and often clumsy.
My inspiration came especially in the 1950s through the Vienna Group founded by writer H.C. Artmann. It showed me that if you want to say something, you have to let the language itself say it, because language is usually more meaningful than the mere content that one wishes to convey.
The words are in my own internal language, and mean more than I could ever explain.
The machine has no feelings, it feels no fear and no hope ... it operates according to the pure logic of probability. For this reason I assert that the robot perceives more accurately than man.
The script [of Regression] wasn't the draw for me. It was largely Alejandro [Amenabar] and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
When I was producing the first solo album, i just wanted to convey some messages through it. The message was 'no blood will come out even if I am pinned' However, after trying out different kinds of music activities, I started to change and wanted to convey my real emotion that I have in my everyday life. I want to express the feelings that everyone has felt at least once, in music so I think people will feel/understand my songs.
People in day-to-day life tend to skim the surface of things and be polite and careful, and that's not the language I speak. I like talking about feelings, fears and memories, anguish and joy, and I find it in music.
If language were liquid, it would be rushing in. Instead here we are in a silence more eloquent than any word could ever be.
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