A Quote by Elizabeth Stuart Phelps Ward

A literary woman's best critic is her husband. — © Elizabeth Stuart Phelps Ward
A literary woman's best critic is her husband.
It might sound ordinary for a woman to find out her husband's cheating on her, but not if you're the woman and it's your husband.
Adultery is in most cases a theft in the dark. At such moments almost every woman betrays her husband's innermost secrets; becomes a Delilah who discloses to a stranger, discloses to her lover, the mysteries of her husband's strength or weakness. What seems to me treason is, not that women give themselves, but that a woman is prone, when she does so, to justify herself to herself by uncovering her husband's nakedness, exposing it to the inquisitive and scornful gaze of a stranger.
What if I say that it is not unjust but according to law that when a woman gets into debt her husband should bear it? And with the church of God sinning, it was but right that her Husband, who had espoused her unto Himself, should become the debtor on her behalf. The Lord Jesus stood in the relationship of a married Husband unto His church, and it was not, therefore, a strange thing that He should bear her burdens.
Nora leaves her husband, not-as the stupid critic would have it-because she is tired of her responsibilities or feels the need of woman's rights, but because she has come to know that for eight years she had lived with a stranger and borne him children. Can there be anything more humiliating, more degrading than a life-long proximity between two strangers? No need for the woman to know anything of the man, save his income. As to the knowledge of the woman-what is there to know except that she has a pleasing appearance?
No woman will get into the celestial kingdom, except her husband receives her, if she is worthy to have a husband; and if not, somebody will receive her as a servant.
[Agatha Christie] is fond of quoting the witty wife who once said, 'an archaeologist is the best husband any woman can have; the older she gets, the more interested he is in her. Christie's husband, Max Mallowan, was an archaeologist.
An archaeologist is the best husband a woman can have. The older she gets the more interested he is in her.
A woman of faith is blessed by faithful men in her life who hold the priesthood of God and honor this privilege: her father, bishop, husband, brothers, sons. They value her and the divine gifts given by God to His daughter. They sustain and encourage, and they understand the great mission of her life as a woman. They love her; they bless her.
The Lord commands the wife to be submissive. Refusal to submit to the husband is therefore rebellion against God Himself. Submission to the husband is a test of her love for God as well as a test of love for her husband. The wife then must look upon her submission to her husband as an act of obedience to Christ and not merely to her husband.
A woman who loves her husband is merely paying her bills. A woman who loves her lover gives alms to the poor.
Edmund Wilson was our greatest American literary critic because he was more than a literary critic: He was a fearless, even radical judge of the society he lived in. (See, for example, _A Piece of My Mind_; _The Cold War and the Income Tax_; the introduction to _Patriotic Gore_.) Our conventional critics cannot forgive him for those scandalous lapses in good taste.
One of the best and most challenging books about Orwell is by the socialist literary critic Raymond Williams. As a critic - and, in some ways, as a figure, at least within the academy - Williams was what England had in the generation after Orwell, and toward the end of his life, he became more critical of his predecessor.
The best predictor of a woman's involvement in terrorism, whether it's a secular or religious group, is a relationship with a terrorist: her father, brother, husband or even her son. Terrorism becomes a bit of a family business.
There is only one real tragedy in a woman's life. The fact that her past is always her lover, and her future invariably her husband.
In Korea, a woman must first obey her father, then her husband when she becomes an ajuma, and finally obey her son as a halmoni. Any woman who violates or lives outside of these roles is called a ch'angy? (prostitute).
When tempted to be unfaithful, the intellectual woman will try to inspire her husband with indifference, the sentimental woman with hatred, and the passionate woman with disgust.
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