A Quote by Elizabeth Taylor
Something always made me save myself. Either the Betty Ford Center or going onstage to perform in the theater when many people didn't think I could do it.
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I remember telling Mom, 'I can't go to the Betty Ford Center. That's like going to the high school where your mom is the principal.' But maybe I could have gotten the family rate.
I was desperate to do more TV and film. Because I considered myself to be a theater creature. A theater animal. I was convinced that I was going to be onstage for the rest of my life. Because it's something I can really do. I thought I was pretty good at it, and it's kind of stupid, but I was concerned that people would go, "Oh yeah, he's very good onstage, I'm not sure he can do television."
Don't think because I'm a positive dude, I'm going to always say something nice. If you come at me crooked, one too many times or if too many people came at me crooked too many times in a row, then they're going to get it. I don't always exercise that self control and I don't regret it either.
So many people always try to help me carry my luggage and help me do things I can do myself. If I can do it myself, I'm going to do it myself. I'm not going to let other people do it for me, and I think that's a big part of where I came from. I'm not a real prissy girl.
I think the people like myself who are in the center ground of politics and who think that center left and center right can cooperate and work together. Who don't like this sort of insurgent populism because we think it's not really going to deliver for the people, I think there's a big responsibility on us in the center to get our act together. And to work out radical but serious solutions to the problems people face.
People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.
Tiesto is legend. I've been in the studio many times. We did a tour together; I jumped onstage with him, he jumped onstage with me. Still, every time, I have to pinch myself and realize this is the guy who made me start doing what I'm doing right now.
I think that, for me, my favorite thing to do is perform standup onstage. Everything else I do is for the exposure to do more stand-up onstage, and for the money, and for the health insurance.
There's something about being onstage, man. No matter what age I am or where I'm going, theater will constantly be the thing that accepts me and embraces me.
I’ve often said that I wish people could realize all their dreams and wealth and fame, so that they could see that it’s not where they’re gonna find their sense of completion. Like many of you, I was concerned about going out into the world and doing something bigger than myself, until someone smarter than myself made me realize that there is nothing bigger than myself. My soul is not contained within the limits of my body, my body is contained within the limitlessness of my soul.
That's part of what made me interested in theater as a kid. It made it acceptable to be a man for an hour onstage.
I think you always learn something in every character you play onstage, either personally or creatively.
I think it's the opportunity to continue breaking records, either set by other people or by myself. I think that's what pushes me to always make the most of myself and be very demanding on myself.
I think that there's a particular type of person who goes into children's theater, and then goes into theater in high school. There was something about the guys I knew in theater, we were all very vulnerable. You could tell that at some point we were made fun of.
I was always into film, but theater was my entry point. I always felt like film didn't make sense to me as a kid. It was just so magical that I was like, 'There's something going on back there that I don't know.' But, when I watched theater, it was something that was happening in front of me.
A friend told me that each morning when we get up we have to decide whether we are going to save or savor the world. I don't think that is the decision. It's not an either-or, save or savor. We have to do both, save and savor the world.
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