A Quote by Elizabeth Taylor
I really don't remember much about Cleopatra. There were a lot of other things going on.
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Surprisingly, I don't throw away that much. I don't move forward with a lot of things unless they're going somewhere. You also have to remember that when you're working with other artists, you have to be really careful about how you deal with that stuff.
When I began going to school and learned to read, I encountered stories of other people and other lands. In one of my essays, I remember the kind of things that fascinated me. Weird things, even, about a wizard who lived in Africa and went to China to find a lamp... Fascinating to me because they were about things remote, and almost ethereal.
I remember my parents yelling at each other and at me from an early age, and I remember a lot of things smashing. I try to look for the happy memories from the brief time my parents were married, and I can't really recall that. From the start things were messed up, and I just kept moving through the years and trying to pick out the little bits of evidence that would help me prove to myself that it wasn't my doing. But it took finding out somebody really does love me, who's not my parents or a relative, to really know that I was loveable.
We thought that the odds of things working OK were up in the upper 90 percent or we wouldn't have gone. But the - there were some problems cropped up on the flight but was able to take care of those OK and - although they were things that we hadn't really trained that much for. But it was the time of the Cold War and so there were was a lot of pressure on the - to get going and the Russians were claiming that they were - Soviets were claiming they were ahead of us in technology.
I really struggled with what I was going to do with fantasy suites, but I didn't really want to think too much about it until we got there. I had a lot of other things on my mind at that point... but really that was just a personal decision between me and whoever I decided to go into the fantasy suite with or decided not to.
The three-breasted woman was very much at the top of my list in [original 'Total recall']. Like I said, I was fourteen! I remember Arnold [Schwarzenegger] pulling that big tracker out of his nose and freaking out about that. I remember going through the immigration booth where their face splits open with that heavyset redheaded lady. So there were a lot of these little moments that I remember.
I remember having crushes and longings, but there were all these missed opportunities or things that seemed like such a big deal, but you really don't understand what the other person is going through.
I think everyone's dream is to be an actress, but I never really thought it was going to happen. Now that it's happening, it's incredible. I do a lot of other things, too. I'm not stuck in this little world. I'm aware that we're in the middle of an economic crisis in the U.S. There's a lot going on in the world, and I'm really happy and excited about what I have and I don't take it for granted. I'm pretty lucky.
From age nine, my friends and I were on the streets, walking home, going to each other's houses, going to the store. I really wanted to write about that: the independence that's a little bit scary but also a really positive thing in a lot of ways.
When we were not shooting [The Hangover] we were sleeping, so pretty much every waking moment we spent together. And, you know, Bradley [Cooper], Zach [Galifianakis] and I were acquaintances before the movie started but we became good friends very quickly and spent so much time together that it was just inevitable we were either going to really hate each other or really like each other. Thank god it turned out to be the latter.
I guess you have to be a little arrogant to be a writer. I decided early on that just because a lot of other writers were bothered by getting bad reviews didn't really mean that the things were particularly important. By the same token, the good ones didn't mean all that much either. So I just forget about reviews and I wrote what I wanted.
I think all novels are contemporary. When people went to see 'Antony-Cleopatra' at the Globe in the 16th century, they were not going to get a history lesson on the Roman Empire. It was about love, sex, and also about dynastic troubles.
My life is very complicated. I have a lot of things going on. I am juggling a lot of responsibilities. There is so much going on that it is astounding, it really is.
I've done far too many things that I felt were going to be genius that weren't and I've done some things that I didn't think were going to be much that really connected with people. So expectations are left at the door. But hope exists all the time.
The funny thing about 'Take Shelter' is that a lot of people talk about how it was allegory for the economy and things that were to happen. And that was so on the nose in the movie for me. I was like, 'That's obvious.' It's the other stuff about marriage and commitment and those other things that I spent the most time thinking about.
I'm very aware that after you've played Cleopatra, there's not a lot that can top that in this sphere, so it means that I want to almost change the sphere I work in rather completely because I will always be comparing it to Cleopatra.
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