A Quote by Elizabeth Wilson
In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.
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The first years when I came to New York, everything was too big and too much. For me, it was too difficult here, but bit by bit, it became one of my favorite places.
Don't think because I'm a positive dude, I'm going to always say something nice. If you come at me crooked, one too many times or if too many people came at me crooked too many times in a row, then they're going to get it. I don't always exercise that self control and I don't regret it either.
I was fired from my first job in New York. I was just out of school, doing the Welsh play, 'The Corn Is Green,' at Equity Library Theater. I was studying with Uta Hagen, and I was really working well, but they got nervous. They wanted results right away. We had a run-through, and I wasn't there yet, so they fired me.
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
I guess my name was gonna be Michael Vernon Wells, and I came out, and my dad saw my nose. He always says that my nose right now is the same size as it was when I was born. So he had to name me Vernon. He's got a big schnozz on him, too.
In the beginning, you know, everyone told me, 'Your eyes are too small, the nose is too big, you can never be on a magazine cover.' But, you know what? The big nose is coming with a big personality.
I can't even go down to the park anymore back home in Newark, New Jersey because my homeboys won't let me play. They tell me I'm too big time, too Hollywood, so they won't let me play out there no more.
My eyes are too big, my nose is too flat, my ears stick out, my mouth is too big and my face is too small... my body is thin as a clarinet and my ankles are so skinny that I wear two pairs of bobby socks because I don't want people to see how thin they are.
Places like New York are just too intense, too much about money, too much about ambition; it's all too superficial for me.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
There was no person, whether they thought I was too fat, too black, too country, too ghetto, too New York, too thug or too whatever! Nobody ultimately had the say over whether or not I was going to make it.
I tried too much and too hard to get people to pay attention to what I was doing, and so paying less attention to what I actually wanted to do. It's something you see a lot with very young bands who are desperate to get a record deal so they're trying to sound like something else.
The next time you look into the mirror, try to let go of the storyline that says you're too fat or too sallow, too ashy or too old, your eyes are too small or your nose too big; just look into the mirror and see your face. When the criticism drops away, what you will see then is just you, without judgment, and that is the first step towards transforming your experience of the world.
There's always someone out there telling you your nose is too big or too small, or you're too fat or too thin, or they don't like your hair. In life, there's always going to be someone who doesn't like something about you, so you have to focus on what makes you happy about yourself. You're the only person you need to please.
Being naive I think is how you construct new music. When you start thinking too much what is it you're doing? You're just making an album. You're not doing brain surgery. If you take it too seriously you start taking yourself too seriously.
If one sins against the laws of proportion and gives something too big to something too small to carry it - too big sails to too small a ship, too big meals to too small a body, too big powers to too small a soul - the result is bound to be a complete upset. In an outburst of hubris the overfed body will rush into sickness, while the jack-in-office will rush into the unrighteousness that hubris always breeds.
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