A Quote by Elizabeth Wurtzel

As soon as I was out in the street, I realized I didn't want to be alone after all, I realized I didn't want to be anything at all. — © Elizabeth Wurtzel
As soon as I was out in the street, I realized I didn't want to be alone after all, I realized I didn't want to be anything at all.
I realized that I didn't want to do anything else. Plus, I realized I was good, and, most importantly, I actually loved to sing on stage.
After everything I've been through, I've realized I can do anything I put my mind to. And I want to do it all.
I realized that I needed to be anonymous on the street and somebody else on the stage. I had tried to put my street self on the stage, but what they want is an actor on stage.
And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen when we get home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread.
I was thinking maybe about being a lawyer. I realized I was interested in becoming a priest at one point. I was just interested in stuff where I could do something I really believed in. And then, I realized if I become an actor, I don't have to choose. I get to do everything. It's worked out so far. But what I really want to do is direct.
I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.
Yeah, the first contract I signed, that was the first time I realized, Oh man, never mind, I don't want to do this anymore, but it was too late. I realized it was a bad thing because I wanted to try out for 'American Idol' and all these different things couldn't do that because I was in this contract.
I realized that the only purpose to revolution is to be able to love who you want, how you want, when you want and where you want.
I got a manager, and I thought, since I was going out on auditions, I should do this for a living. Then there was this moment on set when I realized I was having a lot of fun, and I really wanted to do this forever. I want to do different stuff, but I want it all to be just as good as this film. I want to be consistent.
After being in the studio, I realized this is how I want to be. It just feels right.
I realized I didn't want there to be anything left unsaid with my mom. I didn't want there to be questions that I still had about who she was and what her life was like. And I didn't want her to have questions about me as an adult.
I became a vegetarian out of compassion for animals and to live as healthy as possible. I realized soon after that I was truly concerned with nonviolent consumption and my own health, a vegan diet was the best decision.
I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
When I had daughters, I realized that I wouldn't never do anything to a girl that I wouldn't want done to my own daughter.
When I started out in the profession, it was definitely about proving that I was worthy, but after achieving a certain amount of success, I realized I didn't have to prove anything to anybody.
One thing I can't do is do anything half-assed. I want to make sure everything is right, that the song is fully realized.
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