A Quote by Elizabeth Wurtzel
At heart, I have always been a coper, I've mostly been able to walk around with my wounds safely hidden, and I've always stored up my deep depressive episodes for the weeks off when there was time to have an abbreviated version of a complete breakdown. But in the end, I'd be able to get up and on with it, could always do what little must be done to scratch by.
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I've always been a person afraid of the dark. I was taught that when you have complete darkness, that's when spirits walk. In our house when I was growing up, all the doors were always cracked a little bit at night so you could get light into the room.
But I was always able to articulate a point and I've always been able to get up in front of a crowd and speak.
Somehow the pain, the losses, the hurt, the bad, God is able to transform these into something they could have never been, icons and monuments of grace and love. It is the deep mystery how wounds and scars can become precious, or a ravaging and terrifying cross the essential symbol of relentless affection.” “Is it worth it?” whispered Tony. “Wrong question, son. There is no ‘it.’ The question is and has always been, ‘Are you worth it?’ and the answer is and always, ‘Yes!’
More than often, what you see, or what we've been able to recreate, has usually been a tampered-with version of what I have in my head, because the original idea has always been bigger. Every time I am in the mode of creating a show, there's always some level of gravity that comes in play, either of a monetary sort, or there's a space issue.
I've always been ambitious. I've always been able to roll up my sleeves and get to work. I like to stay busy. I love working, and I love being creative.
Because you have very limited time and you have to be very judicious and wise about how you spend it. But otherwise, I've always been - ever since I was a kid, I've always been coming up with ideas. So I'm able to come up with crazy ideas twice for two collections! It's fun.
As long as you can walk the street and you know there's a tomorrow, there's always that chance. That's how I've always been. I've always had complete belief that I would make something out of myself again, because to me, it's always been about accomplishment.
I've always been around musicians and always been the songwriter who doesn't end up playing the music.
Vancouver has always been a place of mixed results for me. I've always been fast there, but I've never been able to collect the kind of result I could have.
I've always been someone who really watches other people, human behavior. To watch it and be able to express it through your version has always been really exciting to me
I've always been someone who really watches other people, human behavior. To watch it and be able to express it through your version has always been really exciting to me.
What I found most fun is just trying to get other people to crack up. That's always something that will help a movie and I've been lucky enough to have been able to work with some incredibly talented, collaborative comedy people in all of the stuff that I've been in. If you can get people laughing, cast or crew, you're going to have a good end product.
What I love about how my career has gone up to this point is that I've always, always put my head down on my pillow at night, and I've been able to say that I've done, honestly, what I've felt like I wanted to do. And that's really all you can hope for in everything you do.
I had a lot of time to myself, and I would listen to a lot of music, mostly music that I knew fairly well and had a relationship with. And I'd think, well, what is it that I've never been able to do that this person or people are able to do with this song? Why haven't I been able to do it, and what can they do that I wish I could do? And then I'd try to do that. I'd start each day getting into the songs, and I'd think about how I might get closer to this music that I love, but haven't been able to make before.
Ron Moore. He was the guy that on our show and Deep Space Nine wrote the best Klingon episodes. He wrote great episodes in general but he wrote the best Klingon episodes. I always could tell when he was going to write a Klingon episode because he was able to grow a beard really quick and I’d see him with the beard, like a Worf-beard, and I go "Ah, Klingon episode coming up!" and he goes "Oh yeah."
I think I've always used a lower-lofted 3-wood, and I've been able to get the ball up. And, for me, I love having the versatility of it in the fairway, as well as off the tee.
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