A Quote by Elizabeth Wurtzel
I come from a family of screamers. If they are trying to express any emotion or idea beyond pass the salt, it comes in shrieks.
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When I have a lot of emotion going on, I'll write. I write letters to my family, my boyfriend, anyone I'm trying to get my point across to. It's easier for me to express myself.
The idea is distributed in space. It isn't only in one part; one part can't express the idea any longer, only the union of parts can completely express the idea. The idea found it necessary to be presented by several parts. After that, there was a rapid flowering of polyphony.
I listen to music a great deal. In a way, it's trying to express things that can't be expressed in words. That's something that interests me, too. Even though I use words to express myself, I am trying to, it seems to me, get beyond that.
Salt is a powerful symbol in Haiti, as elsewhere. Salt of the earth, for example is an American phrase. In Haiti, myth and legend has it that if you are turned into a zombie, if someone gives you a taste of salt, then you can come back to life. And in the life of the fishermen, there are so many little things about salt that I wanted to incorporate. The salt in the air. The crackling of salt in the fire. There's all this damage, this peeling of the fishing boats from the sea salt. But there is also healing from it, sea baths that are supposed to heal all kinds of aches and wounds.
The idea of a family sitting round the kitchen table and carefully planning their future family size based on the certainty of years to come is a complete fantasy. Back in the real world, jobs are lost, livelihoods taken away, families break apart, partners leave or pass away.
There are many graphic artists who have interpreted The Ancient One as a Tibetan Buddhist Lama, we're kind of shifting that a bit. We're trying not to be fixed, we're trying not to be fixed to any one thing, any one gender, any one spiritual discipline, and any one race even; we're just trying to wing it beyond that. So it's a new gesture really, just another interpretation.
I think in the end there is one ultimate goal with all my careers, and that is, as a performing artist, you want to explore the deepest, most truthful way to express a point of view, or whatever the character is thinking, or whatever emotion you're trying to convey. I think with the different media it's just about what muscles you use to express that.
But most people don't come up to me and express a lot of emotion.
With music you can express any emotion, you can paint pictures.
I went to a restaurant with my friend, and he said, "Pass the salt." I said, "Screw you! Sit closer to the salt."
Sometimes there is such beauty in awkwardness. There's love and emotion trying to express itself, but at the time, it just ends up being awkward.
Salt is one of the flavors that makes food taste good - salt, sugar and fat. So it's a natural thing for all chefs and cooks to add salt, because it enhances the flavor of the food. If you go out to eat, I guarantee you're going to be eating a lot of salted foods that you are going to have no idea.
Schools stifle family originality by appropriating the critical time needed for any sound idea of family to develop - then they blame the family for its failure to be a family.
I don't care about making anything new. I make music to express an emotion, and if the emotion is nostalgic, so be it.
When I started Teach For America, I wasn't trying to come up with an idea that would change the world. I was trying to solve a problem much closer to home: I was a senior in college, and I had no idea what I was going to do with my life!
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the joy of seeing the rhythms of many as one, a visual rhyming or music in which everyone senses where the motion is going.
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