I guess the best way to describe that would be to connect with the fact that I came out of college just before the big Depression, and I came to New York.
I dreamt of being an Aerie model before I came to New York. That was one of the main reasons I came to New York and wanted to get signed.
If you're the type of person who has to fulfill your dreams, you've gotta be resourceful to make sure you can do it. I came out to California when I was 21, thinking my New York credentials would take me all the way. I came back home a year later all dejected and a failure.
I put it out before the American people, got 306 electoral college votes…270 which you need, that was laughable. We got 306 because people came out and voted like they’ve never seen before so that’s the way it goes. I guess it was the biggest electoral college win since Ronald Reagan.
Before I came here, I had people telling me what a tough place New York is, how other players came here and struggled. But I never let that bother me. I came here because I want to win.
I was known for a lot of dunks, but my first big dunk really came here in New York. I had some others back then, but my first major dunk came against the Knicks and Kenny 'Sky' Walker. So, you know, New York has a lot of meaning to me.
I came back to New York after college like any number of struggling performers, and you just find that niche where you can have some sort of impact. And for me that turned out to be comedy.
I love New York. I went to New York to become an actress, and I did it. And I won all the awards known to man. And I'm happy. And I came home. I came, I saw, I conquered. And it feels great.
Out of the ashes of the Great War came the freewheeling cultural renaissance that was the Jazz Age, but the decade-long party of flapper dresses and bootlegging came to a crashing halt with the Crash of '29 - triggering the Great Depression and the New Deal that would help America get back on its feet, just in time for another, greater war.
I did a book signing when we were in New York the day before yesterday. A lady came through and she was just weeping, and said, 'I wish this would have been brought out sooner, my sister is in prison for suffocating her child.'
I came to New York to write and direct, and when I got here, a lot of my rage came out.
I always thought it's not that the greatest players in the world come from New York. It's just the guys who shouldn't have made it, they came from New York. That's what makes New York special.
My parents were very humanistic, but where we lived was not the cultural center of the world. Hardly. So I came to New York for two reasons: to find my own kin and also to get a job. And that's what I came to New York for in '67.
Everything I learned and didn't do in New York I would put into place here in the London West Hollywood. It's fascinating, when you look at the critics' reviews, and we had a great one in the New York Observer and all that, and then the New York Times came and it was a devastation; two stars out of four. They said that I played safe because it wasn't fireworks. Then they judged the persona over the substance that was on the plate.
As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?
I got interested in decathlon because a coach that I had was a big fan of Bruce Jenner, and he just saw the ability in me - but when it came down to it, I knew my best chance at a college scholarship would be in track and field.
So that when I came to New York again, it was, I'm not too sure right now, but it was '74 or '75. I went to Miami in '74 and then I came to New York, I think, at the end of '74.