A Quote by Ella Henderson

I just used to love the sound of especially a female vocal like Ella Fitzgerald for example, it's just that empowering self-control that can make a whole room go silent. I fell in love with that sound.
Since I first fell in love with choral music when I was 18 and began composing at 21, I've been listening to these recordings of British choirs. I just fell in love with that sound - that pure, clean, pristine sound - and I think it's probably been the biggest influence on my sound.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
The sexual act - separating that from love itself - is centered solely in the body, whereas spirituality is connected to the whole self. Whether it's a female, a taste, or a sound, all these beautiful things affect our self. We are the perceivers of beauty, and that's why sex doesn't quite go far enough. You can go much further with the spiritual.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
I always liked Nat King Cole. I always wanted to go my own way, but I always favoured other singers like Dinah Washington, Sarah Vaughn, Ella Fitzgerald - I loved Ella Fitzgerald. There are so many of them. Nina Simone was one of my favourites - Johnny Mathis.
I always like to do sound design, and in movies, you have more leeway with that, but I don't really notice that sound design is being used in TV other than just location sound.
I love the sound of Elmore James, the sound early guitarists like him got just by using minimal means.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
People often ask me how I developed my vocal sound, and the answer usually disappoints them: 'It's just the way I sound when I sing.'
People often ask me how I developed my vocal sound, and the answer usually disappoints them: Its just the way I sound when I sing.
I'm in love with the way that Ella Fitzgerald delivered a lyric. She would deliver a lyric with the kind of clarity that would make you wonder why it was written, and make you think about the writer. I think every writer hopes an Ella of any genre or anytime gets a hold of their work and works the song like that.
I love the sound of '70s glam records. I love that snare sound. The recordings I like, it's all based on if the snare sounds good. The drums have to sound great.
Ultimately, I'd say a lot of my vocal influences are jazz-based, people like Ella Fitzgerald, or Fred Astaire.
Think of the sound you make when you let go after holding your breath for a very, very long time. Think of the gladdest sound you know: the sound of dawn on the first day of spring break, the sound of a bottle of Coke opening, the sound of a crowd cheering in your ears because you're coming down to the last part of a race--and you're ahead. Think of the sound of water over stones in a cold stream, and the sound of wind through green trees on a late May afternoon in Central Park. Think of the sound of a bus coming into the station carrying someone you love. Then put all those together.
I have songs that sound like this and songs that sound like that. I think it's just my vocal that keeps it all together.
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