A Quote by Ella Mai
From the end of 2015 to the start of 2016, I was always at the studio with Mustard, just figuring out a sound.
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I'm interested in figuring out what freedom songs would sound like in 2016.
Mustard saw my Instagram probably, like, August of 2015. He just reached out to me by DM on Instagram.
There was always this sort of weird process in the development and pre-production, thinking, 'How do we get the studio tracks that Joy Division recorded that are so clean and pristine but sound rough and live and how do we get the live versions to actually sound clear enough so you can make out what they're saying?' That was sort of the frustration with Anton Corbijn and myself, figuring out how we make that work.
When you're making a film you start living with it, and I find myself sitting down and figuring out a sound or melody that would go with a film, or a particular period. It's not brain surgery, you just kind of feel it along.
Come year-end, there will be more capital deployed in newspace in 2016 than 2015. I see that trend continuing for the foreseeable future.
I take my own syrup, ketchup, and mustard, just in case of emergencies, in my suitcase. Whatever I can steal from the hotels. It's usually Heinz ketchup, and they give you a weird mustard. You don't get French's or anything; you get some sort of Dijon or some mustard. That's just for hot dogs. I don't use mustard for anything else.
When you've only got few days of rehearsal before you're in the studio, it's wonderful to start off with people that you have good, friendly, tolerable relationships to start with, for the simple reason that you don't have to spend 24 hours figuring out how sensitive they are, and can you give them a line reading, or how do you have to give them direction.
We started 'Heaven And Earth' in 2016. That was probably the heaviest touring year of my whole life. We probably did almost 200 shows in 2016. We went into the studio, and I honestly didn't know what the album was going to be. So I just kind of started picking songs that I liked.
2015 was, like, packed from January. 2016 is simultaneously open and packed - but I'm trying to keep 2016 open as possible so I can do weird, crazy, kooky stuff.
2015 has been a crazy year for me, and Spotify have supported me right from the start. It's an honour to be their Breakout Artist of the year, and I'm super excited to see what we can do together in 2016!
I didn't start really playing the guitar till I was about seventeen, and I never really had those formative years are where like I was in my room, figuring all that stuff out before I hit the stage. I just did all that on the road all at once, so all those years of playing roadhouses in bars and clubs, I was really figuring it out.
I'm just always learning lines. I've learned to flag the really crucial scenes, and I start figuring them out and committing them to memory as soon as I get them.
I was always just like, 'Standups are making it up.' A lot of people have that myth about standup. And so it wasn't until I was in college for theater school in Boston that I realized I can actually start going to open mics and figuring this out.
The music suddenly became important enough for me to build my own sound studio and start to prepare songs to possibly put out into the world.
For me in a film, almost every scene you end up cutting a bit of the start of it out, and some of the end of it out because there's always...once you've rehearsed it and shot it, it feels like a couple of times and you can always get out sooner.
I had this crazy trajectory. I went from literally living in a hostel in L.A. at the beginning of 2015 to shooting 'Stranger Things' at the end of 2015.
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