A Quote by Ella Purnell

I don't think there was any point where I was like, 'I want to be an actor for the rest of my life.' The nice thing about being a kid is you don't have to make those decisions. Then all of a sudden, you blink, and you're 18.
In the book [Today Matters] I talk about successful people make important decisions early in their life, and then they manage those decisions the rest of their life.
What's nice about writing and making films is that being able to see a film from the outside - from the inception through production and then completion - just informs what you're doing when you're an actor. And when you're an actor, it informs the decisions you make when you're making a film. It's using two different sides of your personality.
My job happens to be sports-related, so it's like my duty to watch football. It's my job. But that's not a change for me. When you're 18, it's life and death, because you don't have a kid, and it's a much bigger deal when you're 18. Having a kid - when the Vikings lost the 2009 NFC title game, it sucked, and I'm not happy about it, but my kid is still alive. You have to have that horrible forced perspective that you don't want.
It's how you make decisions that matters, and that ought to be the question that people ask of any candidate for any executive office, whether it's mayor, governor or president. How do you make decisions? Who do you want in the room helping you make those decisions?
My revision methods are chipping things away and moving them around and trying to get things right. I'm also open in my own writing to failure. I want to fail. I want to go to a place where I don't know what I'm doing, where maybe I'm lost. And in that uncertain space, I make decisions, and I know all those decisions are going to change everything else. And at a certain point, you just come to a place of rest. In revising, you reduce your options so that nothing is possible, and you just think, I can't change this anymore because I've already passed that decision point.
I grew up as normally as any other kid. Between that small TV part I did at five and when I turned professional actor at 18, I stayed away from the limelight, so I was just like any typical kid who went to school.
The hardest thing about being a kid actor is just kind of separating 'this is my professional life' and 'this is my kid life.' That was always the hard part for me.
It is an everlasting desire to make my dreams come true. And it's getting to the point now where it's like, come on I want my dreams to come true so that I can get on with the rest of my life. Sometimes I think about the rest of my life when I'm done.
As a young man, you get to a point in your life where you feel like you have grown up and have to make decisions and not having that father figure in your life to guide you to making those decisions.
I think there is a lot of loss in being a professional child actor. All of a sudden, you start to want to be an adult at the age of 8 or 9. I never did kid stuff, so to speak, so I was in many ways ostracized by the other kids. But I did get this other life, so it was a trade-off.
The bad thing about being with an actor is that the role he's in stays with him all the time. The good thing about being with an actor - well, I can't think of any good thing.
Being a kid's not easy. You're transforming and becoming a human being. At some point, you have everyone taking care of you, and then, all of a sudden, you're out in the world.
I don't think I make decisions as an actor based on what I think the fans will or will not want at this point.
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
Everybody would like to be good, that's the silly thing, everybody always likes it when they're having a nice time or when they're happy or when it's sunny, they all dig it; but then they go and forget about it, they never really try to make it nice. They think that it just comes along and it's nice if you're lucky, or if you're unlucky it's bad for you.
I learned so much from my life as an actor, as a kid actor through being an adult actor, and then becoming a writer and producer and doing animation.
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