A Quote by Elle Fanning

I do after-school ballet and also hip-hop and jazz. — © Elle Fanning
I do after-school ballet and also hip-hop and jazz.
While a lot of hip-hop was inspired by jazz or James Brown samples and was made to be played live in the clubs, I made hip-hop that was made for MCs to eat the mic up. It was an aggressive form of hip-hop. It was made just for hip-hop. It's not made to sing or dance to, though you can if you want.
Until I was in 6th grade, I took ballet, jazz, tap, and hip hop.
I can dance. I like hip hop and stuff and jazz movements, but I'm horrible in ballet. I tried.
For me jazz is kind of an extension of hip-hop. Kind of the sad thing is that a lot of jazz people just listen to jazz, and a lot of hip-hop people just listen to hip-hop, and there's not a lot of crossover, unfortunately.
I did ballet, jazz, and all that, but I think hip-hop is really where I learned rhythm and groove, which has helped me in music.
I was in a competing company and have been dancing since I was four - ballet, tap, jazz, hip hop - so it's a huge part of my life and my music.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
My definition of hip hop is taking elements from many other spheres of music to make hip hop. Whether it be breakbeat, whether it be the groove and grunt of James Brown or the pickle-pop sounds of Kraftwerk or Yellow Magic Orchestra, hip hop is also part of what they call hip-house now, or trip hop, or even parts of drum n' bass.
All forms are complex once you get to a really high level, and jazz and hip-hop are so connected. In hip-hop, you sample, while in jazz, you take Broadway tunes and turn them into something different. They're both forms that repurpose other forms of music.
There's a need for pop. There's a need for radio. There's also a need to understand the brilliance and the depth of jazz and soul - and what hip-hop can be at its most brilliant and what hip-hop can be at its most simplistic.
I had danced with Janet Jackson and P. Diddy so I had done a bunch of hip hop. Really and truly my roots are in modern and ballet but, professionally, that's not really out there any more, unfortunately, so these artists aren't really having a lot of ballet dancers behind them so I had to learn hip hop really quick.
I was serious about ballet for a long time, but my mom got me into tap and jazz and modern and hip-hop, and I was one of those over-lessoned children.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
I'm really into old school music when hip-hop first came out with Common, A Tribe Called Quest, Queen Latifah, MC Lyte, and Run DMC. I'm really into that! Hip-hop these days isn't the same and doesn't have the same sound anymore. I'd rather listen to the old school hip-hop.
As a lover of both hip-hop and jazz, I feel like much of the latter community still doesn't truly embrace hip-hop as a musical extension.
Hip-hop is limiting itself and that also goes for editorially. Magazines and websites are the gatekeepers of what people think hip-hop is, but they actually end up limiting what hip-hop can be.
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