I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
I don't understand why people don't use improvisation, especially in comedy films, but also, for me, you get more naturalism, and that's why I like the naturalistic performances and strange rhythms and the way that people genuinely interact captured rather than sort of very mannered performances.
Having been a child actor, I remember how directors would trick me to get good performances out of me. I don't think you need to do that.
I always tend to remember the funny moments. When I lost my shoe (even though it was funny) there was something motivating about it, I just ended in this spastic emotional way. I tend to remember the more extreme moments.
Audiences tend to get the performances they deserve.
I want to - more than anything - to create a moment that people will never forget. Not for me, but for themselves. That's what I remember about great Super Bowl performances in the past, when you really get lost in the moment with your family.
When things are tough, French athletes tend to pull out great performances.
Oak, granite, Lilies by the road, Remember me? I remember you. Clouds brushing Clover hills, Remember me? Sister, child, Grown tall, Remember me? I remember you.
I vividly remember the stories my grandfather told me about the carnage of the First World War, which people tend to forget was one of the worst massacres in human history.
The first important role was a Broadway lead I did called 'The Royal Hunt Of The Sun' by Peter Shaffer, the guy who did 'Equus' and 'Amadeus.' Many of the important roles that I got later on were because the guy who was going to hire me was in that audience and had his mind blown. I tend to do that. I blow people's minds with my performances.
I am constantly analysing my performances and I tend to focus more on things I haven't done as well as I'd have liked.
People tend to romanticize what they can't quite remember.
I don't care much whether people remember me or not. If people remember, well and good. If they don't remember, it's alright - I'm dead anyway.
People tend to forget their duties but remember their rights.
I always get because people remember me as a really small, skinny kid. And then when they meet me, I'm just kind of towering over them. I'm 6'2. I'm not a giant, but compared to what a lot of people remember me as, it's a little bigger.
I've always believed that the stories and the performances are more important than I am. I think that the more invisible that my hand is, the more attention people can pay to the story and to those performances.